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Practical Horsemanship in Medieval Arthurian Romance
The figure of a knight on horseback is the emblem of medieval chivalry. Much has been written on the ideology and practicalities of knighthood as portrayed in medieval romance, especially Arthurian romance, and it is surprising that so little attention was hitherto granted to the knight's closest companion, the horse. This study examines the horse as a social indicator, as the knight's animal alter ego in his spiritual peregrinations and earthly adventures, the ups and downs of chivalric adventure, as well as the relations between the lady and her palfrey in romance. Both medieval authors and their audiences knew more about the symbolism and practice of horsemanship than most readers do today. By providing the background to the descriptions of horses and horsemanship in Arthurian romance, this study deepens the readers' appreciation of these texts. At the same time, critical reading of romance supplies information about the ideology and daily practice of horsemanship in the Middle Ages that is otherwise impossible to obtain from other sources, be it archaeology, chronicles or administrative documentation.
Echoing Hooves: Studies on Horses and Their Effects on Medieval Societies
The horse was the essential animal for the medieval world: means of transport, a vehicle of social status and a cherished companion. This volume explores the ways in which horses shaped medieval societies.
Historical Practices in Horsemanship and Equestrian Sports
New things are forgotten old things - this rediscovery of the past is especially important in horsemanship and equestrian sports. Despite advances in sciences and technology, the physiologies and psychologies of the two principal agents, the equid and the human, have undergone relatively few changes since horse domestication. The studies collected in this volume outline such essential and recurring challenges in equestrianism as gender issues, equine identification, the use of hyperflexion and groundwork in training, as well as many others, from prehistory to this day.
The Liminal Horse
The historical horse is at once material and abstract, as is the notion of the border. Borders and frontiers are not only markers delineating geographical spaces but also mental constructs: there are borders between order and disorder, between what is permitted and what is prohibited. Boundaries and liminal spaces also exist in the material, economic, political, moral, legal and religious spheres. In this volume, the contributing authors explore the theme of the liminality of the horse in all of these historical arenas, asking how does one reconcile the very different roles played by the horse in human history?
The Horse in Premodern European Culture
This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.
Chivalry and Courtesy: Medieval Manners for a Modern World
A surprising look at how medieval etiquette can improve our lives today, from the author of the popular How to Live Like a Monk Medieval people are often portrayed as having poor hygiene and table manners—licking their knives or throwing chicken bones on the floor. In the Middle Ages, however, such behavior was not tolerated. Medieval society cherished order in nearly every facet of life, from regular handwashing to daily prayer. There were consequences if you didn’t adhere to the rules of good behavior: you wouldn’t be invited to the lord’s next dinner, you wouldn’t win the battle, and you wouldn’t win the lady. Author Daniele Cybulskie explores the world of medieval etiquette, ...
Role and Representation of Mediaeval Women in Unsworth's "Morality Play"
Essay from the year 2008 in the subject Literature - Modern Literature, grade: Top, University of Latvia (Faculty of Modern Languages), course: MA in English Literature, language: English, comment: Final essay for the course on historical novel, had top grade (10), abstract: According to Finke, "[i]n mediaeval scientific writing woman is both weaker than and inferior to man" (ibid.) Classical writers, such as Galen and Aristotle did not even believe that there were two separate genders but viewed women as defective, underdeveloped men. Christian writers, in turn, viewed women as seductresses, the agents of the original sin and the fall of mankind, associating the daughters of Eve "with the m...
Courtly Pastimes
The modern concept of passing leisure hours pleasantly would, in the Middle Ages, have fallen under the rubric of Sloth, a deadly sin. Yet aristocrats of past centuries were not always absorbed in affairs of state or warfare. What did they do in moments of peace, "downtime" as we might call it today? In this collection of essays, scholars from various disciplines investigate courtly modes of entertainment ranging from the vigorous to the intellectual: hunting, jousting, horse racing; physical and verbal games; reading, writing, and book ownership. Favorite pastimes spanned differences of gender and age, and crossed geographical and cultural boundaries. Literary and historical examples come f...
In the World of Vlad
The life (in fact the lives) of Vlad III the Impaller or Dracula is a Rorschach test. Everybody sees what they want to see in the “documentary stains”. And these “stains” are expanding. Based on research in the archives and libraries of Budapest, Dubrovnik, Genoa, Mantua, Milan, Modena, Munich, Rome, Venice and Vienna, the book focuses on the conflictive medieval, and modern images created by the clash between the classical pictures of Vlad and the still preserved coeval sources.
Texts and Territories
The writing of a literary text is as a retrospective explanation of what is happening in the present, including social, cultural, religious, and political events, and is a deliberate re-creation in actual practice. The impact of immediate contemporary concerns places a literary text at least partly outside the author’s control. The author responds to a given context of historical and cultural incident that limits his freedom to invent, adapt, or explain. Of these contemporary concerns, the literary text is concerned first with how cultural practices and cultural changes helped to create it, and second with what happens when specific historical events appear to model themselves on narrative...
