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Classical Rhetoric in the Middle Ages: The Medieval Rhetors and Their Art 400-1300, with Manuscript Survey to 1500 CE is a completely updated version of John Ward’s much-used doctoral thesis of 1972, and is the definitive treatment of this fundamental aspect of medieval and rhetorical culture. It is commonly believed that medieval writers were interested only in Christian truth, not in Graeco-Roman methods of ‘persuasion’ to whatever viewpoint the speaker / writer wanted. Dr Ward, however, investigates the content of well over one thousand medieval manuscripts and shows that medieval writers were fully conscious of and much dependent upon Graeco-Roman rhetorical methods of persuasion. The volume then demonstrates why and to what purpose this use of classical rhetoric took place.
Follows the threads of ancient rhetorical theory into the Middle Ages and examines the distinctly Medieval rhetorical genres of perceptive grammar, letter-writing, and preaching. These various forms are compared with one another and placed in the context of Medieval society. Covering the period 426 A.D. to 14.
While the study of rhetoric has received a much-needed revival dating from about 1945, historical writing was not a favored object of scrutiny among the many studies of rhetoric's influence on medieval literature, education, and preaching (from the introduction). By 1978, some scholars had resolved to rectify this problem, and organized sessions at the thirteenth International Congress on Medieval Studies. This volume stands as a selection of works presented there, helping to fortify the strength of interest and inquiry directed toward rhetoric's symbiosis with historiography in centuries past (from the introduction).
Medieval assumptions about the nature of the representation involved in literary and historical narratives were widely different from our own. Writers and readers worked with a complex understanding of the relations between truth and convention, in which accounts of presumed fact could be expanded, embellished, or translated in a variety of accepted ways.
This volume presents three medieval treatises on speaking and writing-three "Arts" (books) designed by their authors to assist their colleagues in the preparation of poems, letters, hymns, sermons, or any other kind of composition
This book has a twofold purpose. First, it seeks to define the place of vernacular translation within the systems of rhetoric and hermeneutics in the Middle Ages. Secondly, it examines the way that rhetoric and hermeneutics in the Middle Ages define their status in relation to each other as critical practices. --introd.
The history of medieval rhetoric can be understood only as part of medieval efforts to understand the manifold uses of language.
Presents a history of the ways in which authors of the Middle Ages mobilized the force of emotion in their rhetorical writings, and explores the changes that the role of emotion in rhetorical theory underwent during this period in relation to means of textual transmission and conditions of rhetorical teaching.