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Basement Tales. Bob Dylan - The Basement Tapes On Disc (1968-2014)
Basement Tales goes through and analyzes, in chronological order, the publication on disk of the songs recorded by Bob Dylan & The Band in numerous sessions in Woodstock between the months of March and October of 1967. These songs, better known as The Basement Tapes, were not originally intended for the making of a Bob Dylan's album but for cover versions by various artists of the time. The importance of the author and his simultaneous momentary absence from the recording market initially aroused interest from the underground market, which started the publication of the first bootlegs in the history of rock, and subsequently also those of the official record company. The publication of the songs taken from the Basement Tapes begins in 1969 with seven songs present in the bootleg Great White Wonder and ends with the creation, in 2014, of a voluminous box of 140 songs by Columbia Records, which was The Bootleg Series Vol 11: The Basement Tapes Complete. In this long period of time the two markets, the underground and the official one, have alternated with various record publications which are analyzed in detail in the book.
Music and Protest in 1968
Music was integral to the profound cultural, social and political changes that swept the globe in 1968. This collection of essays offers new perspectives on the role that music played in the events of that year, which included protests against the ongoing Vietnam War, the May riots in France and the assassination of Martin Luther King, Jr. From underground folk music in Japan to antiauthoritarian music in Scandinavia and Germany, Music and Protest in 1968 explores music's key role as a means of socio-political dissent not just in the US and the UK but in Asia, North and South America, Europe and Africa. Contributors extend the understanding of musical protest far beyond a narrow view of the 'protest song' to explore how politics and social protest played out in many genres, including experimental and avant-garde music, free jazz, rock, popular song, and film and theatre music.
Music and Sonic Art
This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound.
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