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'Miller brings together the opposed traditions of pacifism and just-war theory and puts them into a much-needed dialogue on the ethics of war.' - Publisher.
Why Study Religion? offers an alternative framework, Critical Humanism, for thinking about the purposes of the discipline. Richard B. Miller theorizes about the ends rather than the means of humanistic scholarship. He argues that the future of religious studies will depend on how well it can articulate its goals as a basis for motivating scholarship in the field.
A timely anthology by Christian ethicists and ecclesial groups who are concerned with the justice of war in the 20th century. Seeking to sharpen our moral literacy about the ethics of war, Pope Pius XII, the Niebuhrs, and U.S. Catholic and Methodist bishops address ethical issues relevant to modern warfare--obliteration bombing, selective conscientious objection, and nuclear deterrence.
Did the Gulf War defend moral principle or Western oil interests? Is violent pornography an act of free speech or an act of violence against women? In Casuistry and Modern Ethics, Richard B. Miller sheds new light on the potential of casuistry—case-based reasoning—for resolving these and other questions of conscience raised by the practical quandaries of modern life. Rejecting the packaging of moral experience within simple descriptions and inflexible principles, Miller argues instead for identifying and making sense of the ethically salient features of individual cases. Because this practical approach must cope with a diverse array of experiences, Miller draws on a wide variety of diagnostic tools from such fields as philosophy of science, legal reasoning, theology, literary theory, hermeneutics, and moral philosophy. Opening new avenues for practical reasoning, Miller's interdisciplinary work will challenge scholars who are interested in the intersections of ethics and political philosophy, cultural criticism, and debates about method in religion and morality.
Training Soprano Voices provides a complete and reliable system for training each type of soprano voice. Designed as a practical program for singers, teachers, and voice professionals, it couples historic vocal pedagogy with the latest research on the singing voice, emphasizing the special nature of the soprano voice and the proper physiological functioning for vocal proficiency. Renowned singing teacher Richard Miller supplies a detailed description for each of the nine categories of soprano voices. For each category he then surveys the appropriate literature and provides an effective system for voice building, including techniques for breath management, vibratory response, resonance balancing, language articulation, vocal agility, sostenuto, proper vocal registration, and dynamic control. The book concludes with a daily regimen of vocal development for healthy singing and artistic performance. It also features dozens of technical exercises, vocalization material taken from the performance literature, and numerous anatomical illustrations. Unique in its focus on a single voice, Training Soprano Voices is likely to set the standard in voice training for years to come.
Miller takes readers on an eye-opening tour of psychotropic drugs, describing the various kinds, how they were discovered and developed, and how they have played multiple roles in virtually every culture.
A comprehensive update of a 1977 study of historical and current techniques practiced in four major Western European schools of vocalism, investigating which techniques within the national schools are common to them all and which idiosyncratic regional tendencies remain. Contains chapters on breath management techniques, techniques of vowel formation, vibrato and national tendencies, vocal registration and national attitudes, the different types of voices, and international tonal ideals. Also discusses the North American singer and the national schools. Annotation copyrighted by Book News, Inc., Portland, OR
Friends and Other Strangers argues for expanding the field of religious ethics to address the normative dimensions of culture, interpersonal desires, friendships and family, and institutional and political relationships. Richard B. Miller urges religious ethicists to turn to cultural studies to broaden the range of the issues they address and to examine matters of cultural practice and cultural difference in critical and self-reflexive ways. Friends and Other Strangers critically discusses the ethics of ethnography; ethnocentrism, relativism, and moral criticism; empathy and the ethics of self-other attunement; indignation, empathy, and solidarity; the meaning of moral responsibility in rela...
A comprehensive volume on all facets of vocal performance, On the Art of Singing considers in detail established comparative vocal techniques, the specifics of interpretation and communication, the factors that contribute to career preparation and maintainance, and the application of functional information to the art of singing. Topics that most frequently concern singers and teachers at all levels of accomplishment are reviewed. These include an examination of pedagogical approaches to breath management, to laryngeal freedom, and to resonance balance, advice on career building, considerations of style and interpretation, and information on the physiology and acoustics of the singing voice. Data from diverse sources, otherwise inaccessible to the singer, are assembled and interpreted in the light of performance artistry. From his own long and distinguished career as a performer, teacher of singing, and vocal researcher, the author aims at making practical the relationship of technical proficiency to freedom in performance.
We like to think of ourselves and our friends and families as pretty good people. The more we put our characters to the test, however, the more we see that we are decidedly a mixed bag. Fortunately there are some promising strategies - both secular and religious - for developing better characters.