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Demarco's Edinburgh
The Edinburgh Festival of those days was a much more accessible village... The ground rules were well enough understood. Everything about it was containable. The Fringe was the seed bed for talent and ran happily in step with its established elders and betters. They both knew their place. But then something equally remarkable was about to take place in the New Town of the city I knew and loved... The same year, Roddy Martine is born. In 1963 when, at the age of sixteen, he interviewed Sir Yehudi Menuhin and David Frost for an Edinburgh Festival magazine he edited and the following year, met Marlene Dietrich. Both Richard and Roddy have unique perspectives on the most remarkable international...
Richard Demarco
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A Unique Partnership
This is a collection of Richard Demarco's essays, writings and around 200 images celebrating the relationship between himself and German artist Joseph Beuys. It includes forewords by Keith Hartley and Douglas Hall.
RICHARD DEMARCO.
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Richard Demarco
Since the 1960s Richard Demarco has had a pivotal role in the production and promotion of the visual and performing arts in Scotland. The Italo-Scottish artist, cultural entrepreneur and educator has organised and fostered cultural exchanges and collaborations throughout Europe and has been a champion of European culture and the avant-garde in Scotland. Although some research and publications have been devoted to Demarco's endeavours, little is known of the numerous cultural exchanges and collaborations between Italy and Scotland that he initiated and developed in the past fifty years. This gap in the historical canon of knowledge is extraordinary because in the Demarco's archives - a portio...
The Road to Meikle Seggie
To travel the road to Meikle Seggie is to undertake any journey which offers unexpected opportunities for intellectual growth and self-discovery. In the 1970s, Richard Demarco embarked on a series of journeys, starting in Edinburgh, to recover a sense of our living culture in the environments around us.
Strategy: Get Arts
Based on close archival research, Christian Weikop (main author and guest editor) uncovers unknown and exciting narratives, as well as artist networks, concerning this provocative 1970 exhibition, held at ECA. The author has previously considered the British press reception of SGA in an article for Tate Papers, but this Studies in Photography-EUP book publication goes far beyond that article and any other scholarship on the exhibition by taking into account (for the first time) the contributions of all 35 artists based in Düsseldorf, and incorporating testimony of individuals who were involved in this landmark exhibition, or who were later engaged in archive exhibitions or recreation projects. Weikop explores the formation of the exhibition in the context of a late 1960s culture of protests and occupations, and demonstrates that SGA was a pivotal 'Shock of the New' moment that would leave its mark on art education.
