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Originally published: Garden City, N.Y.: Doubleday, 1971.
An autobiography
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What do you do when the law wants you behind bars and the New York crime families want you buried? Surviving the Mob is a cautionary tale of the harsh reality of a criminal, inmate, fugitive, and witness who -- so far -- has lived to tell the tale.
An account of the trial of eleven Italian-Americans accused of murdering a New Orleans police superintendent, of their subsequent lynching by several thousand citizens and of the repercussions of that lynching, which almost led to war with Italy.
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This poignant and whimsical account of growing up in New York is presented through the eyes of a boy as he lived and saw life in his neighborhood in Red Hook, Brooklyn. Describing experiences not ordinarily associated with urban living, this book combines anecdote and humor to explain how the author learned to see life and what events shaped his writing.
Never Give Up puts the AIDS pandemic into cultural context, raising questions about international health issues, cross-cultural experiences, racism, and homophobia. In his role as executive director of Open Arms of Minnesota, a nonprofit organization that provides meals and related services to people with HIV/AIDS, Kevin Winge shares his firsthand knowledge of the realities and challenges facing people living with the disease. While earning his master's degree from the John F. Kennedy School of Government at Harvard University, Winge traveled to the townships outside of Cape Town, South Africa, where he lived and worked with AIDS workers for six months. He chronicled his daily activities by telling stories about the people he came in contact with, accounts that are included here. Emotional and highly personal, the lives and conditions depicted in Never Give Up are a strong call to action for all of us to respond to this devastating disease with compassion and determination.
Widely acclaimed as America's greatest living film director, Martin Scorsese is also, some argue, the pre-eminent Italian American artist. Although he has treated various subjects in over three decades, his most sustained filmmaking and the core of his achievement consists of five films on Italian American subjects - Who's That Knocking at My Door?, Mean Streets, Raging Bull, GoodFellas, and Casino - as well as the documentary Italianamerican. In Gangster Priest Robert Casillo examines these films in the context of the society, religion, culture, and history of Southern Italy, from which the majority of Italian Americans, including Scorsese, derive. Casillo argues that these films cannot be ...