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The Dante Encyclopedia
The DanteEncyclopedia is a comprehensive resource that presents a systematic introduction to Dante's life and works and the cultural context in which his moral and intellectual imagination took shape.
Iris Exiled
Iris Exiled is a critical history of wonder from the Bible and Homer to modern times. Dennis Quinn examines the subject in relation to various disciplines and modes of discourse- philosophy, theology, poetry, art myth, history, rhetoric, psychology, education, and modern science. Quinn shows that wonder, originally seen as the principle of philosophy and poetry and as a passion essential to the highest order of education, has been weakened by certain intellectual, cultural, and religious shifts during the past 600 years. The history is synoptic in two senses of the word: it is comprehensive but selective, and illustrative not exhaustive. Iris Exiled is presented from a single theoretical perspective, that of the original understanding of wonder as developed and set forth by such authors as Plato, Aristotle, St. Thomas Aquinas, John Ruskin, and Joseph Pieper, as well as a host of other writers of all kinds and from all eras of western history.
The Divine Comedy of Dante Alighieri
Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators. Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facin...
The Legend of the Middle Ages
This volume presents a penetrating interview and sixteen essays that explore key intersections of medieval religion and philosophy. With characteristic erudition and insight, RémiBrague focuses less on individual Christian, Jewish, and Muslim thinkers than on their relationships with one another. Their disparate philosophical worlds, Brague shows, were grounded in different models of revelation that engendered divergent interpretations of the ancient Greek sources they held in common. So, despite striking similarities in their solutions for the philosophical problems they all faced, intellectuals in each theological tradition often viewed the others’ ideas with skepticism, if not disdain. Brague’s portrayal of this misunderstood age brings to life not only its philosophical and theological nuances, but also lessons for our own time.
The Idea of the Antipodes
A study that uses critical theory to investigate the history of how people have thought about the antipodes - the places and people on the other side of the world - from ancient Greece to present-day literature and digital media.
Divine Dialectic
A fresh reading of Dante's major literary works - the Divine Comedy and the Vita nuova - that combines central tenets of incarnational theology and dialectical thought to challenge a dominant paradigm in Dante criticism.
Dante
The Divine Comedy, completed around 1320, is a supreme work of the imagination None of Dante's other works, nor even all of his other works taken together, can rival the Comedy. How did the Florentine exile come to create this masterpiece? What steps in his development can explain the making of this extraordinary poem? In this book, a preeminent Dante scholar turns to the poet's body of works - the only real biography of Dante that we have - to illuminate these questions. Through an exposition of Dante's other writings, Robert Hollander provides a concise intellectual biography of the writer whom many consider the greatest narrative poet of the modern era. Hollander writes for those who have already encountered the Comedy, suggesting to these readers how Dante's other works relate to the great poem and inviting them to reread the Comedy with new interest and understanding.
Petrarch's 'Fragmenta'
Petrarch's Rerum vulgarium fragmenta, a collection of lyric poems on sacred and profane love and other subjects, has traditionally been viewed as reflecting the conflicted nature of its author. However, award winning author Thomas E. Peterson argues that Petrarch’s Fragmenta is an ordered and coherent work unified by narrative and theological structures. By concentrating on the poem’s reliance on Christian tenets and distinguishing between author, narrator and character, Peterson exposes the underlying narrative and theological unity of the work. Building on recent Petrarch scholarship and broader studies of medieval poetics, poetic narrativity, and biblical intertextuality, Peterson conducts a rigorous examination of the Fragmenta’s poetic language. This combination of stylistic and philological analysis recasts Petrarch’s poetry in a new light revealing its radically innovative and liberating character.
Decameron Fourth Day in Perspective
This compilation of eleven essays offers exciting new perspectives on one of the greatest works of Italian literature.
