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Dante
How did Dante come to create his masterpiece, the Divine Comedy, a work unrivaled by any of his other writings? In this book, a preeminent Dante scholar analyzes the only real biography of the poet that we have--his body of works--to illuminate this question. Robert Hollander considers Dante's political writings, commentary, and other poems as well as the Comedy to construct an intellectual biography of the great poet. "Hollander's lucid and brilliant discussion . . . is a joy to read."--Bernard Knox, New York Review of Books
Inferno
The first of the 3 canticles in "La divina commedia "(The Divine Comedy), this 14th-century allegorical poem begins Dante's imaginary journey from Hell to Purgatory to Paradise with his sojourn among the damned. There he encounters historical and mythological creatures -- each symbolic of a particular vice or crime. Translated beautifully by Henry Wadsworth Longfellow.
Dante
The Divine Comedy, completed around 1320, is a supreme work of the imagination None of Dante's other works, nor even all of his other works taken together, can rival the Comedy. How did the Florentine exile come to create this masterpiece? What steps in his development can explain the making of this extraordinary poem? In this book, a preeminent Dante scholar turns to the poet's body of works - the only real biography of Dante that we have - to illuminate these questions. Through an exposition of Dante's other writings, Robert Hollander provides a concise intellectual biography of the writer whom many consider the greatest narrative poet of the modern era. Hollander writes for those who have already encountered the Comedy, suggesting to these readers how Dante's other works relate to the great poem and inviting them to reread the Comedy with new interest and understanding.
Dante's Epistle to Cangrande
Essential reading for Dante scholars.
Writers Reading Writers
This volume is a collection of intertextual studies on medieval and early modern literature in honor of Robert Hollander by some of his former students. Writers are always also readers, responding to texts that have provoked their thought. The contributors to this volume all participate in its overarching theme: writers reading and responding to the work of other writers. As Hollander's work has focused especially on Dante and Boccaccio, many of the essays treat one of these writers, either as reading or as read by others. Other essays trace intertextual influences in Langland, Shakespeare, or post-Enlightenment writers faced with the loss of Dante's meaningful cosmos.
The Arthur of the Italians
This is the first comprehensive book on the Arthurian legend in medieval and Renaissance Italy since Edmund Gardner’s 1930 The Arthurian Legend in Italian Literature. Arthurian material reached all levels of Italian society, from princely courts with their luxury books and frescoed palaces, to the merchant classes and even popular audiences in the piazza, which enjoyed shorter retellings in verse and prose. Unique assemblages emerge on Italian soil, such as the Compilation of Rustichello da Pisa or the innovative Tavola Ritonda, in versions made for both Tuscany and the Po Valley. Chapters examine the transmission of the French romances across Italy; reworkings in various Italian regional dialects; the textual relations of the prose Tristan; narrative structures employed by Italian writers; later ottava rima poetic versions in the new medium of printed books; the Arthurian-themed art of the Middle Ages and Renaissance; and more. The Arthur of the Italians offers a rich corpus of new criticism by scholars who have brought the Italian Arthurian material back into critical conversation.
Seeing God
Winner of the Christianity Today Book Award in Theology/Ethics (2019) To see God is our heart's desire, our final purpose in life. But what does it mean to see God? And exactly how do we see God--with our physical eyes or with the mind's eye? In this informed study of the beatific vision, Hans Boersma focuses on "vision" as a living metaphor and shows how the vision of God is not just a future but a present reality. Seeing God is both a historical theology and a dogmatic articulation of the beatific vision--of how the invisible God becomes visible to us. In examining what Christian thinkers throughout history have written about the beatific vision, Boersma explores how God trains us to see his character by transforming our eyes and minds, highlighting continuity from this world to the next. Christ-centered, sacramental, and ecumenical, Boersma's work presents life as a never-ending journey toward seeing the face of God in Christ both here and in the world to come.
The Divine Comedy of Dante Alighieri
Robert Durling's spirited new prose translation of the Paradiso completes his masterful rendering of the Divine Comedy. Durling's earlier translations of the Inferno and the Purgatorio garnered high praise, and with this superb version of the Paradiso readers can now traverse the entirety of Dante's epic poem of spiritual ascent with the guidance of one of the greatest living Italian-to-English translators. Reunited with his beloved Beatrice in the Purgatorio, in the Paradiso the poet-narrator journeys with her through the heavenly spheres and comes to know "the state of blessed souls after death." As with the previous volumes, the original Italian and its English translation appear on facin...
The Elements of Grammar in 90 Minutes
An eminent scholar assembled this user-friendly guide. Intended to teach students of any age the parts of speech and their logical arrangement in sentence form, it also serves those wishing to refresh their skills.
