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Cheryl R. Jorgensen-Earp provides a new understanding of the recurrent rhetorical need to employ conservative rhetoric in support of a radical cause. Her study challenges the common view that the suffragettes' use of military metaphors, their vilification of the government, and their violent attacks on property were signs of hysteria and self-destruction. Instead, what emerges is a picture of a deliberate, if controversial, strategy of violence supported by a rhetorical defense of unusual power and consistency.
In fiction, drama, poems, and pamphlets, nineteenth-century reformers told the familiar tale of the decent young man who fell victim to demon rum: Robbed of his manhood by his first drink, he slid inevitably into an abyss of despair and depravity. In its discounting of the importance of free will, argues Elaine Frantz Parsons, this story led to increased emphasis on environmental influences as root causes of drunkenness, poverty, and moral corruption—thus inadvertently opening the door to state intervention in the form of Prohibition. Parsons also identifies the emergence of a complementary narrative of "female invasion"—womanhood as a moral force powerful enough to sway choice. As did many social reformers, women temperance advocates capitalized on notions of feminine virtue and domestic responsibilities to create a public role for themselves. Entering a distinctively male space—the saloon—to rescue fathers, brothers, and sons, women at the same time began to enter another male bastion—politics—again justifying their transgression in terms of rescuing the nation's manhood.
Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Al?s, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, ...
In this much needed comprehensive study of the Progressivemovement, its reformers, their ideology, and the social circumstancesthey tried to change, Shelton Stromquist contends that the persistenceof class conflict in America challenged the very defining feature ofProgressivism: its promise of social harmony through democraticrenewal. Profiling the movement's work in diverse arenas of socialreform, politics, labour regulation and race improvement, Stromquistargues that while progressive reformers may have emphasized differentprograms, they crafted a common language of social reconciliation inwhich an imagined civic community (the People) would transcendparochial class and political loyalties.
Essays addressing relatively unknown or unexamined speeches delivered by famous or influential environmental figures. The written works of natures leading advocatesfrom Charles Sumner and John Muir to Rachel Carson and President Jimmy Carter, to name a fewhave been the subject of many texts, but their speeches remain relatively unknown or unexamined. Green Voices aims to redress this situation. After all, when it comes to the leaders, heroes, and activists of the environmental movement, their speeches formed part of the fertile earth from which uniquely American environmental expectations, assumptions, and norms germinated and grew. Despite having in common a definitively rhetorical focus, the contributions in this book reflect a variety of methods and approaches. Some concentrate on a single speaker and a single speech. Others look at several speeches. Some are historical in orientation, while others are more theoretical. In other words, this collection examines the broad sweep of US environmental history from the perspective of our most famous and influential environmental figures.
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Interdisciplinary perspectives on landscape, from the philosophical to the geographical, with an emphasis on the overarching concept of place. This volume explores the conceptual "topography" of landscape: It examines the character of landscape as itself a mode of place as well as the modes of place that appear in relation to landscape. Leading scholars from a range of disciplines explore the concept of landscape, including its supposed relation to the spectatorial, its character as time-space, its relation to indigenous notions of "country," and its liminality. They examine landscape as it appears within a variety of contexts, from geography through photography and garden history to theolog...
A collection of twenty of Frederick Douglass’s most important orations This volume brings together twenty of Frederick Douglass’s most historically significant speeches on a range of issues, including slavery, abolitionism, civil rights, sectionalism, temperance, women’s rights, economic development, and immigration. Douglass’s oratory is accompanied by speeches that he considered influential, his thoughts on giving public lectures and the skills necessary to succeed in that endeavor, commentary by his contemporaries on his performances, and modern-day assessments of Douglass’s effectiveness as a public speaker and advocate.