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When the Cock Crows
  • Language: en
  • Pages: 250

When the Cock Crows

  • Type: Book
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  • Published: 2016-06
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  • Publisher: SIU Press

"This detailed history of the company from the second decade of the twentieth century to the present fills a gap in the history of the early American film industry. A detailed filmography is available online"--

The American Adam
  • Language: en
  • Pages: 209

The American Adam

Intellectual history is viewed in this book as a series of "great conversations"—dramatic dialogues in which a culture's spokesmen wrestle with the leading questions of their times. In nineteenth-century America the great argument centered about De Crèvecoeur's "new man," the American, an innocent Adam in a bright new world dissociating himself from the historic past. Mr. Lewis reveals this vital preoccupation as a pervasive, transforming ingredient of the American mind, illuminating history and theology as well as art, shaping the consciousness of lesser thinkers as fully as it shaped the giants of the age. He traces the Adamic theme in the writings of Emerson, Thoreau, Hawthorne, Melville, Henry James, and others, and in an Epilogue he exposes their continuing spirit in the works of F. Scott Fitzgerald, William Faulkner, Ralph Ellison, J. D. Salinger, and Saul Bellow.

A History of the Hal Roach Studios
  • Language: en
  • Pages: 284

A History of the Hal Roach Studios

  • Type: Book
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  • Published: 2006-08-15
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  • Publisher: SIU Press

Once labeled the “lot that laugher built,” the Hal Roach Studios launched the comedic careers of such screen icons as Harold Lloyd, Our Gang, and Laurel and Hardy. With this stable of stars, the Roach enterprise operated for forty-six years on the fringes of the Hollywood studio system during a golden age of cinema and gained notoriety as a producer of short comedies, independent features, and weekly television series. Many of its productions are better remembered today than those by its larger contemporaries. In A History of the Hal Roach Studios, Richard Lewis Ward meticulously follows the timeline of the company’s existence from its humble inception in 1914 to its close in 1960 and,...

The Narnia Code
  • Language: en
  • Pages: 220

The Narnia Code

Millions of readers have been captivated by C. S. Lewis’s famed Chronicles of Narnia, but why? What is it about these seven books that makes them so appealing? For more than half a century, scholars have attempted to find the organizing key—the “secret code”—to the beloved series, but it has remained a mystery. Until now. In The Narnia Code, Michael Ward takes the reader through each of the seven Narnia books and reveals how each story embodies and expresses the characteristics of one of the seven planets of medieval cosmology—Jupiter, Mars, Sol, Luna, Mercury, Venus and Saturn—planets which Lewis described as “spiritual symbols of permanent value.” How does medieval cosmology relate to the Christian underpinnings of the series? How did it impact Lewis’s depiction of Aslan, the Christlike character at the heart of the books? And why did Lewis keep this planetary inspiration a secret? Originally a ground-breaking scholarly work called Planet Narnia, this more accessible adaptation will answer all the questions.

Planet Narnia
  • Language: en
  • Pages: 655

Planet Narnia

For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously ...

American Ex-prisoners of War
  • Language: en
  • Pages: 182

American Ex-prisoners of War

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Hokum!
  • Language: en
  • Pages: 270

Hokum!

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Hokum! is the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era. Challenging the received wisdom that sound destroyed the slapstick tradition, author Rob King explores the slapstick short’s Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood’s youth.

Hollywood 1938
  • Language: en
  • Pages: 284

Hollywood 1938

In Hollywood 1938, Catherine Jurca brings to light a tumultuous year of crisis that has been neglected in histories of the studio era. With attendance in decline, negative publicity about stars that were "poison at the box office," and a spate of bad films, industry executives decided that the public was fed up with the movies. Jurca describes their desperate attempt to win back audiences by launching Motion Pictures’ Greatest Year, a massive, and unsuccessful, public relations campaign conducted in theaters and newspapers across North America. Drawing on the records of studio personnel, independent exhibitors, moviegoers, and the motion pictures themselves, she analyzes what was wrong—and right—with Hollywood at the end of a heralded decade, and how the industry’s troubles changed the making and marketing of films in 1938 and beyond.

Harry Langdon
  • Language: en
  • Pages: 218

Harry Langdon

  • Type: Book
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  • Published: 2014-01-10
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  • Publisher: McFarland

A top vaudeville comedian for the first quarter of the 20th century, Harry Langdon rose from performing in Midwest traveling shows to headlining at the Palace Theatre in New York City. He was compared to Chaplin for his work in the classic silent films Tramp, Tramp, Tramp and The Strong Man, and he is often recognized as one of the "big four silent comedians" alongside Chaplin, Lloyd and Keaton. Later in his career, Langdon appeared in a number of talking films, starring or co-starring in almost a hundred of them between 1924 and 1945 and working with several legendary directors, from Frank Capra to Michael Curtiz. This second edition of the only book-length biography of Langdon includes significant new information, including expanded coverage of his early years and more personal details that fill out the human side to the Langdon story. The book also includes a comprehensive filmography and several photographs from all phases of Langdon's life and career.