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Poetry
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Collected Poems 1952-2000
Richard Murphy emerged in the 1950s with John Montague and Thomas Kinsella as one of the three major poets in the new Irish poetic renaissance. His second volume Sailing to an Island, which was a Poetry Book Society Choice, was followed by The Battle of Aughrim, widely acclaimed as one of the most powerful historical narratives of the twentieth century. Although the next volumes range from his signature setting of the grey stone and surging sea of Ireland's western islands to vivid Eastern settings, they offer a renewed lyricism, in the poignant narrative and descriptive poems of High Island, the colorful psychological portrayals of childhood in Ceylon, and the sonnet sequence that comprises The Price of Stone. Playfully and candidly, this later work gives voice to structures as varied as Kylemore Castle, a tinker's wattle tent, Nelson's Pillar, and a beehive cell in which a woman gives birth alone on High Island. The Collected Poems is a major achievement, not only because on page after page it reveals poetry of exceptional insight and passion, but also because it brings into focus the wide poetic range--geographical, formal, and tonal--of which Richard Murphy is master.
Making Integral
Richard Murphy's poetry is central to the evolution of Irish poetry since 1950. These original essays offer new insights into Murphy's poetic preoccupations - love and loss, nature and solitude, history and inheritance - showing how Richard Murphy's life and work follow the contours of modern Ireland. With the publication of The Pleasure Ground: Poems 1952-2012 (2013) and the reissue of his celebrated memoir The Kick (Cork UP, 2017), this is a timely reconsideration of an important Irish poet. Sometimes viewed as a poet of two traditions who, in his own words, sought 'to unite my divided self in our divided country', Richard Murphy (1927-2018) also engages with urgent contemporary themes: se...
Richard Murphy
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The Kick
'A fine, considered, and fascinating memoir of a life lived as close to the full as possible' (John Banville)
The Mirror Wall
Halfway up the remote fortress of Sigiriya in Sri Lanka is a long wall of polished plaster, with mysterious golden women painted on the rock above, who seem to be dancing in the clouds. Twenty of these frescoes have survived since the end of the fifth century. The "Mirror Wall," as it's called, is covered with graffiti: hundreds of songs relating to these cloud nymphs, composed by nobles, merchants, travelers and Buddhist monks during the eighth, ninth and tenth centuries. These songs or lyrics were sung, probably with vina, flute and drums, in the gallery beneath the portraits, where the words were written on the wall: love poems, satires, and curses; happy, witty, ironical, and sad celebrations of beautiful, erotic, festive, and sometimes painful experiences. Richard Murphy's poems were inspired by the songs of the Mirror Wall. Some keep close to the intricate forms and meaning of their Old Sinhala originals. More often they are free versions, elaborating particular images and ideas, bringing in modern voices or combining several songs.
The Pleasure Ground
Richard Murphy (1927-2018) was one of Ireland's most distinguished poets, known particularly for poems drawing on the people and history of the west of Ireland with classical rigour and 'unvarnished' clarity. He emerged in the 1950s with John Montague and Thomas Kinsella as one of the three major poets in the new Irish poetic renaissance. The Pleasure Ground expands the scope of his much acclaimed Collected Poems of 2000 to include a selection of new poems along with an appendix featuring illuminating commentary on the historical and personal background of some of his most notable work, including 'The Cleggan Disaster', 'The God Who Eats Corn', The Battle of Aughrim, and the poems of High Island. Poetry Book Society Special Commendation.
Poems 1952-2010
Richard Murphy, now in his eighties, is one of Ireland's most distinguished poets, known particularly for poems drawing on the people and history of the west of Ireland with classical rigour and 'unvarnished' clarity. He emerged in the 1950s with John Montague and Thomas Kinsella as one of the three major poets in the new Irish poetic renaissance. Poems 1952-2012 expands the scope of his much acclaimed Collected Poems of 2000 to include a selection of new poems along with an appendix featuring illuminating commentary on the historical and personal background of some of his most notable work, including 'The Cleggan Disaster', 'The God Who Eats Corn', 'The Battle of Aughrim', and the poems of High Island. The Limited Edition will be signed, clothbound and numbered 1 to 75.
