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Analyzes the modern myth of the cowboy as it appears in movies, advertising, the rodeo, and fiction, and gauges its effect on American thought
Papers from a conference held at the Glenbow Museum in Sept. 1997.
How did cattle drives come about—and why did the cowboy become an iconic American hero? Cattle drives were the largest, longest, and ultimately the last of the great forced animal migrations in human history. Spilling out of Texas, they spread longhorns, cowboys, and the culture that roped the two together throughout the American West. In cities like Abilene, Dodge City, and Wichita, buyers paid off ranchers, ranchers paid off wranglers, and railroad lines took the cattle east to the packing plants of St. Louis and Chicago. The cattle drives of our imagination are filled with colorful cowboys prodding and coaxing a line of bellowing animals along a dusty path through the wilderness. These ...
Rattlesnakes and ornery horses, the dreaded Texas Itch, midnight rambles in graveyards, trips to Mexico, and hard riding on the last open range: George Philip recounts all these adventures and more with wit and humour. George Phillip arrived in South Dakota from Scotland in 1899. For the next four years, he rode as a cowboy for his uncle's L-7 cattle outfit during the heyday of the last open range. But the cowboy era was a brief one, and in 1903 Philip turned in his string of horses and hung up his saddle to enter law school in Michigan. In these candid letters, Philip provides fascinating insights into the development of the West and of South Dakota. His writing details the cowboy's day-to-day work, from branding and roping to navigating across the palins by stars and buttes, as the great open ranges slowly closed up.
Presents the people, places, historical events, equipment and dress, terminology, and cultural imagery surrounding the cowboys of both North and South America.
Argentinian writer Eduardo Gutiérrez (1851-1889) fashioned his seminal gauchesque novel from the prison records of the real Juan Moreira, a noble outlaw whose life and name became legendary in the Río de la Plata during the late 19th century. John Chasteen's fast-moving, streamlined translation--the first ever into English--captures all of the sweeping romance and knife-wielding excitement of the original. William Acree's introduction and notes situate Juan Moreira in its literary and historical contexts. Numerous illustrations, a map of Moreira’s travels, a glossary of terms, and a select bibliography are all included.
Rodeo is a dangerous and painful performance in which only the strongest and most skilled riders succeed. In the popular imagination, the western rodeo hero is often a stoic white man who embodies the toughness and independence of America’s frontier past. However, marginalized people have starred in rodeos since the very beginning. Cast out of popular western mythology and pushed to the fringes in everyday life, these cowboys and cowgirls found belonging and meaning at the rodeo, staking a claim to national inclusion. Outriders explores the histories of rodeoers at the margins of society, from female bronc-riders in the 1910s and 1920s and convict cowboys in Texas in the mid-twentieth century to all-black rodeos in the 1960s and 1970s and gay rodeoers in the late twentieth century. These rodeo riders not only widened the definition of the real American cowboy but also, at times, reinforced the persistent and exclusionary myth of an idealized western identity. In this nuanced study, Rebecca Scofield shares how these outsider communities courted authenticity as they put their lives on the line to connect with an imagined American West.
As the twenty-first century approaches and the threat of war between the superpowers declines, our attention is drawn to conflicts between nations or ethnic groups with vastly different cultures. The United States, the last superpower, is divided in its motives to maintain its giant Cold War military structure or to create a new world police force that will react to and influence the outcome of intercultural conflict. Brought together by James C. Bradford, these essays by prominent military historians cover three thousand years and five continents in treating various examples of intercultural interaction.
The lure of cowgirls and cowboys has hooked the American imagination with the lure of freedom and adventure since the turn of the twentieth century. The cowboy and cowgirl played in the imagination and made rodeo into a symbolic representation of the Western United States. As a sport that is emblematic of all things “Western,” rodeo is a phenomenon that has since transcended into popular culture. Rodeo’s attraction has even spanned oceans and lives in the imaginations of many around the world. From the modest start of this fantastic sport in open fields to celebrate the end of a long cattle drive or to settle a friendly “who’s the best” bet between neighboring ranches, rodeo trul...
This book is a grammar of Mangghuer, a Mongolic language. Its primary importance is as a systematic grammatical description of a little-known language. It also makes a significant contribution to comparative Mongolic studies.