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Narrative and Imperative
Narrative & Imperative is the first book in English on Italian Holocaust writing as a whole. Risa Sodi explores the work of eight representative authors, including the internationally famous (Primo Levi, Giorgio Bassani, and Elsa Morante) and the lesser known (Giacomo Debenedetti, Paolo Maurensig, Liana Millu, Bruno Piazza, and Giuliana Tedeschi). She examines issues of genre, language, gender, and facticity while situating the works studied within the fields of European and Holocaust letters. A brief history of the Italian Jews - the oldest Jewish community in Europe - opens the book, and the conclusion brings the study up to recent times.
Memory and Mastery
This book carefully examines the work of Primo Levi, one of the premier survivor-writers of the Holocaust and one of the outstanding Italian writers of the twentieth century. Artists, writers, and educators have all turned to Levi's writing as a source of inspiration and wisdom in coping with the tragedy of the Holocaust. Until recently, however, there have been few book-length works in English on Levi. This collection of essays from an international group of writers aims to bring greater critical attention to Levi's work by exploring all aspects of his oeuvre, including his science-fiction writings and his poetry, as well as his fictional and nonfictional writings about the Holocaust. Interdisciplinary in nature, this collection includes literary, psychoanalytic, linguistic, and historical approaches to Levi's work.
The Routledge Encyclopedia of Jewish Writers of the Twentieth Century
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
A Dante of Our Time
This original and timely volume details the influence of Dante's Inferno on Primo Levi's classic Holocaust narrative, Se questo è uomo, and his last book of essays, I sommersi e i salvatie. Such key concepts as memory, justice, and the realm of the neutral sinners - «la zona grigia» for Levi - are given particular emphasis. Three questions form the backbone of the book: Can memory be overcome? Where is justice for the Holocaust survivor? and, Is there a middle ground between victim and oppressors, and how does Levi define it? Ample use of interviews with the author reveal how Levi relates these three questions to such contemporary figures as Sigmund Freud, Franz Stangl, Rudolf Höss, Jean Améry, Liliana Cavani, and Kurt Waldheim.
The Consolations of Writing
Why writing in captivity is a vitally important form of literary resistance Boethius wrote The Consolation of Philosophy as a prisoner condemned to death for treason, circumstances that are reflected in the themes and concerns of its evocative poetry and dialogue between the prisoner and his mentor, Lady Philosophy. This classic philosophical statement of late antiquity has had an enduring influence on Western thought. It is also the earliest example of what Rivkah Zim identifies as a distinctive and vitally important medium of literary resistance: writing in captivity by prisoners of conscience and persecuted minorities. The Consolations of Writing reveals why the great contributors to this...
Other Others
In literary and cultural studies today, the term "the Other" appears to have largely lost its moorings in the primacy of the intersubjective encounter, focusing rather on the social construction of the Other. For Emmanuel Levinas, in contrast, the Other is precisely that which eludes construction and categorization. In a study that ranges from literature of ancient China, Greece, and Israel to modern Egypt, Italy, West Africa, and America, Steven Shankman tests Levinas's ideas by reading literary works from outside the Judeo-Christian orbit for figurations equivalent to Levinas's notion of the Other. He also places ethics at the center of intercultural—or, in his words, "transcultural"—comparative literature. In contemporary literary and cultural studies, it is often assumed that culture has the last word. However, as Levinas insists—and as Shankman argues throughout this book—it is ethics that is the "presupposition of all Culture," that is situated "before Culture."
The Holocaust Novel
The first comprehensive study of Holocaust literature as a major postwar literary genre, The Holocaust Novel provides an ideal student guide to the powerful and moving works written in response to this historical tragedy. This student-friendly volume answers a dire need for readers to understand a genre in which boundaries and often blurred between history, fiction, autobiography, and memoir. Other essential features for students here include an annotated bibliography, chronology, and further reading list. Major texts discussed include such widely taught works as Night, Maus, The Shawl, Schindler's List, Sophie's Choice, White Noise, and Time's Arrow.
New Reflections on Primo Levi
This book presents a baker's dozen of interpretative keys to Levi's output and thought. It deepens our understanding of common themes in Levi studies (memory and witness) while exploring unusual and revealing byways (Levi and Calvino, or Levi and theater, for example).
Primo Levi
Judith Kelly looks at Levi's work in the context of testimonial literature and examines the linguistic expression of the author's Auschwitz experience. The moral and philosophical nature of humanity within the camp is investigated. In particular, there is a comparison between If this is Man and a co-authored medico-scientific report, and a consideration of sources and motifs which provide the cultural framework for the authors expression of his experiences.
