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Art and Aesthetics of Modern Mythopoeia Volume-One
Mythopoeia has always been a steady proponent in the construct of any socio-cultural order. In contemporary times, owing to the rise of cultural studies, a steady interest in revisionist literary texts has also surfaced. The association of Indian culture and values with a plethora of mythological narratives have made several scholars curious because they do offer an array of new perspectives of understanding the art, aesthetics and also the politics of myths within a larger social, religious and cultural context. Similarly, by exploring the trope of myth, it has been possible to look at other countries' cultures as well. This anthology offers new readings of classical myths across continents and cultures. The anthologized essays have collectively explored the various trends of revisionist literature. Sincere attempts have also been made to highlight the ways in which re-readings of select literary works can admirably transform set notions and ideas of human existence.
Art and Aesthetics of Modern Mythopoeia V2
Human culture has always weaved myths around its pattern of existence for multiple purposes. The interplay of religion and social practices have found their own space within the sphere of mythology. It is possible to read mythical texts to probe into the greater picture of human civilization. The contribution of myths towards the shaping of human beliefs, behavioural patterns are evident and assessing them often reveals a plethora of cultural histories unexplored and therefore unacknowledged before. The contribution of mythopoeia towards the construct of human socio-cultural identity has been largely accepted. Modern academia has thus taken a strong interest in revisionist literature to unde...
The Third Gender: Stain and Pain
The comprehensive compendium The Third Gender: Stain and Pain is packed with prodigious research papers, articles and case studies of well-versed academicians from all over India. The anthology addresses the myriad facets of a transgender’s life. Their problems of social identity, inequality, marginalisation, social exclusion, health care issues, documentation, education, unemployment, and poverty have been discoursed from social, political, economic, cultural and jurisprudential along with scientific angles. The book incorporates not only the troubles and deplorable plights but also intimates some resolutions that can mitigate the embarrassing abasements of the Third Gender.
The Oxford Handbook of Islamic Archaeology
Islamic archaeology is young discipline, emerging only over the course of the 1980s and 1990s. The Oxford Handbook of Islamic Archaeology is the first work of its kind to cover the archaeology of the Islamic world on a global scale, from North Africa to China and Europe to sub-Saharan Africa.
The Making of the Modern Canon
This book is part of a series which moves the canon debate of the 1980s forward into a new multidisciplinary and cross-cultural phase by investigating problems of canon formation across the whole humanistic field. Some volumes explore the linguistic, political or anthropological dimensions of canonicity. Others examine the historical canons of individual disciplines. The important contribution to the canon debate is remarkable in examining the actual process of canon formation from three unusual and complementary angles. The first two chapters discuss historical attitudes to canons from antiquity onwards, showing the religious, aesthetic, cultural and political interests which have shaped our modern critical canons. Each of the four succeeding chapters examines an exemplary modern defendant, interpreter, or critic of canons: Ernst Gombrich, Northrop Frye, Frank Kermode, and Edward Said. A final chapter considers the origins and rationale of the contemporary debate, emphasizing the disciplinary and aesthetic problems we must confront if our cultural institutions are to meet the changing needs of the next century.
After the Avant-garde
This study of contemporary art and culture brings together Boyers's sharply focused essays on writers, filmmakers, painters, and critics, first published in the TLS, The American Scholar, Granta, The American Poetry Review, and Salmagundi. The essays respond to the diversity of "events" that make up our cultural life, and take as their central theme what Boyers calls "object loss" in the art and writing of some prominent contemporaries. The term designates a radical incapacity to think clearly about the objects--actual or imagined--that give a work point or focus. He argues that this incapacity has produced various kinds of irrelevance and dishonesty, not so much in the art of our day as in the various critical theories and response patterns which are dominant among us. Dwelling on such figures as Jean-Luc Godard, Mario Vargas Llosa, Marcel Duchamp, John Ashbery, and William Styron, Boyers frequently casts his reflections as responses to theories that have gained--especially among contemporary literary intellectuals--an indisputable currency. His essays constitute a negative aesthetic, a "definition by recoil" of postmodernist art and the ideology that promotes or defends it.
The Fisher Queen's Dynasty
Matsyagandha, Daseyi, Yojanagandha-the queen of Hastinapur, Satyavati. Abandoned as a baby, preyed on by a rishi, she hardens herself, determined that the next time she is with a man, she will be the one to win. And win she does: the throne of Hastinapur for herself, and the promise that her sons will be heirs to the kingdom. But at what cost? In a palace where she is disdained and scorned, Satyavati must set aside her own loss and pain if she is to play the game of politics. She learns to be ruthless, unscrupulous-traits that estrange her from everyone around. Everyone, except the man she cheated of his birthright.
গুণমালা (Gunamala)
গুণমালা পুথি মহাপুৰুষ শংকৰদেৱৰ এক অনন্য সৃষ্টি। মহাভাগৱতৰ সাৰমৰ্ম মাত্ৰ ৬ টি অধ্যায়ত সামৰি ৰচনা কৰা গুণমালা পুথিখন গুৰুজনাৰ এক অপূৰ্ব সৃষ্টি হিচাপে গণ্য কৰা হয়। কোঁচৰজা নৰনাৰায়ণৰ ৰাজসভাত মহাপুৰুষজনাৰ ভাগৱত কথা শুনি থাকোঁতে বিচাৰ কথাত বিদ্যামান ব্ৰাহ্মণ পণ...
Me Hijra, Me Laxmi
He was born a boy, but never felt like one. What was he then? He felt attracted to boys. What did this make him? He loved to dance. But why did others make fun of him? Battling such emotional turmoil from a very young age, Laxminarayan Tripathi, born in a high-caste Brahman household, felt confused, trapped, and lonely. Slowly, he began wearing women's clothes. Over time, he became bold and assertive about his real sexual identity. Finally, he found his true self-she was Laxmi, a hijra. From numerous love affairs to finding solace by dancing in Mumbai's bars; from being taunted as a homo to being the first Indian hijra to attend the World AIDS Conference in Toronto; from mental and physical abuse to finding a life of grace, dignity, and fame, this autobiography is an extraordinary journey of a hijra who fought against tremendous odds for the recognition of hijras and their rights.
Karna's Wife
An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design.
