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The Golden Bird brings together the best of Robert Adamson's work from the last four decades, as well as many superb new poems. Selected and arranged by the author, it provides an accessible introduction to Australia's foremost lyric poet and an insight into the recurring themes that have shaped his remarkable body of work. 'Robert Adamson is one of Australia's national treasures.' -John Ashbery 'He is as deft and resourceful a craftsman as exists, and his poems move with a clarity and ease I find unique.' -Robert Creeley 'This distinguished man of letters and major poet is one of the most significant gifts Australia can offer the rest of the world.' -Nathaniel Tarn 'The spareness and taut energy of the more recent poems, for all Adamson's famous romanticism, seems classic; as if, like Yeats, he had discovered the exhilaration and enterprise of walking naked.' -David Malouf
Robert Adamson has been nourished for much of his life by Australia's Hawkesbury River. This collection praises nature - red in tooth and claw - and celebrates existence as a mythological quest.
Poetry. Robert Adamson has long been recognized as one of Australia's major poets, from his early writing as a poet maudit in Sydney through twenty books of verse and prose. In THE GOLDFINCHES OF BAGHDAD, he explores the landscape of the Hawkesbury River, sounding its waters and wildlife for psychological resonances. As Robert Creeley writes, "Robert Adamson is that rare instance of a poet who can touch all the world and yet stay particular, local to the body he's been given in a literal time and place. He is as deft and resourceful a craftsman as exists, and his poems move with a clarity and ease I find unique."
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Robert Adamson has been nourished for much of his life by Australia's Hawkesbury River. His poetry praises nature - red in tooth and claw - and celebrates existence as a mythological quest. This is his first new collection to be published in Britain since "Reading the River: Selected Poems" (2004). Extending the territory covered by the later poems in that selection, this book takes Adamson's personal Romanticism and daring lyricism to a higher imaginative level. He confronts a range of contradictions: how the fish he kills to make a living also sustain his vision as poet; and how he uses birds from the sky for his paintings. He wonders about the existence of God as well as the different meanings of souls of humans, birds, fish and animals. Some of the poems look at war, and many come back again to love
Publisher Fact Sheet Presents nearly 50 photographs from the unlikely partnership (1843-1848) between the respected painter David Octavius Hill & the young engineer Robert Adamson, including experiments with portraits, staged dramatic photographs, & architectural & landscape images.
A collection of essays by various Australian and European authors on a wide range of Australian cultural topics, this is a story of struggle and achievement and occasional failure. Departures deals with innovation and transgression in Australian literature and history and brings out the vitality of Australian culture as it meets new challenges.