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The Golden Bird brings together the best of Robert Adamson's work from the last four decades, as well as many superb new poems. Selected and arranged by the author, it provides an accessible introduction to Australia's foremost lyric poet and an insight into the recurring themes that have shaped his remarkable body of work. 'Robert Adamson is one of Australia's national treasures.' -John Ashbery 'He is as deft and resourceful a craftsman as exists, and his poems move with a clarity and ease I find unique.' -Robert Creeley 'This distinguished man of letters and major poet is one of the most significant gifts Australia can offer the rest of the world.' -Nathaniel Tarn 'The spareness and taut energy of the more recent poems, for all Adamson's famous romanticism, seems classic; as if, like Yeats, he had discovered the exhilaration and enterprise of walking naked.' -David Malouf
Poetry. Robert Adamson has long been recognized as one of Australia's major poets, from his early writing as a poet maudit in Sydney through twenty books of verse and prose. In THE GOLDFINCHES OF BAGHDAD, he explores the landscape of the Hawkesbury River, sounding its waters and wildlife for psychological resonances. As Robert Creeley writes, "Robert Adamson is that rare instance of a poet who can touch all the world and yet stay particular, local to the body he's been given in a literal time and place. He is as deft and resourceful a craftsman as exists, and his poems move with a clarity and ease I find unique."
Robert Adamson has been nourished for much of his life by Australia's Hawkesbury River. This collection praises nature - red in tooth and claw - and celebrates existence as a mythological quest.
This collection of poetry won the Banjo, the New South Wales Premier's Prize and the Victorian Premier's Prize.
This is the first book to provide a full and coherent introduction to the photography of Victorian Scotland. The material has been structured and the topics organised, with appropriate illustrations, as both a readable narrative and a foundation text for
Robert Adamson has been nourished for much of his life by Australia's Hawkesbury River. His poetry praises nature - red in tooth and claw - and celebrates existence as a mythological quest. This is his first new collection to be published in Britain since "Reading the River: Selected Poems" (2004). Extending the territory covered by the later poems in that selection, this book takes Adamson's personal Romanticism and daring lyricism to a higher imaginative level. He confronts a range of contradictions: how the fish he kills to make a living also sustain his vision as poet; and how he uses birds from the sky for his paintings. He wonders about the existence of God as well as the different meanings of souls of humans, birds, fish and animals. Some of the poems look at war, and many come back again to love
Includes the society's Report
Poetry. Edited and introduced by Devin Johnston, REACHING LIGHT selects from five decades of work by one of Australia's finest poets. Readers of Robert Adamson's books will have understood that this distinguished man of letters and major poet is one of the most significant gifts that Australia can offer the rest of the world. Specifically, the gift comes from the Hawkesbury River, north of Sydney. This river that Adamson lives on, and from which everything is born, becomes in his work an archetypal water which everyone can relate to wherever they reside. From it he raises a universe. Adamson grows into the reader like a whole forest, slowly and deeply, like a whole nature. He deserves reading like you deserve breath.--Nathaniel Tarn Could it possibly be close to forty years ago when Bob Creeley and Robert Duncan first brought back the news about an extraordinary young Australian poet? I've avidly followed Bob Adamson's work since those days, as he has probed the inner and outer landscapes of his environment with inspirited precision. 'Praise life with broken words.' Eye and ear, none better.-- Michael Palmer