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Soul
What do you think your soul looks like? This fully illustrated hardback publication includes hundreds of drawings from all over the world created in response to this question. Soul is the result of seven years of research by curator Robert Blackson and writer Edward Clapp who have asked everybody from goat herders in Tibet to Turner Prize winning artist Jeremy Deller to sit down and draw their soul with just a pencil and paper. The diversity of responses to this elusive question are both poignant and surprising. Each meticulous drawing included in the book is reproduced to its actual size and is accompanied by the name, age and nationality of the artist. Appreciated collectively, Soul is a contemporary portrait of the hopes we have in ourselves.
Memory, Mobility, and Material Culture
With a focus on the object and where it is situated, in time (memory) and space (mobility), Memory, Mobility, and Material Culture embodies a multidisciplinary and cross-disciplinary approach. The chapters track the movement of the objects and their owner(s), within and between continents, countries, cities, and families. Objects have always been considered with an eye to their worth – economic, aesthetic, and/or functional. If that worth is diminished, their meaning and value disappear, they are just things. Yet things can still fulfil functions in our daily lives; they hold symbolic potential, from personal memory triggers, to focal points of public ritual and religion; from collectorsâ€...
Net Works
Net Works offers an inside look into the process of successfully developing thoughtful, innovative digital media. In many practice-based art texts and classrooms, technology is divorced from the socio-political concerns of those using it. Although there are many resources for media theorists, practice-based students sometimes find it difficult to engage with a text that fails to relate theoretical concerns to the act of creating. Net Works strives to fill that gap. Using websites as case studies, each chapter introduces a different style of web project--from formalist play to social activism to data visualization--and then includes the artists' or entrepreneurs' reflections on the particular challenges and outcomes of developing that web project. Scholarly introductions to each section apply a theoretical frame for the projects. A companion website offers further resources for hands-on learning. Combining practical skills for web authoring with critical perspectives on the web, Net Works is ideal for courses in new media design, art, communication, critical studies, media and technology, or popular digital/internet culture.
With Pleasure
A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 arti...
A Journey Worth Taking
The journey through life of a man born Black and poor in Greenwich, CT in 1933 is reflected upon in detail. Circumstances exposed him to opportunities to build bridges between the races, make history and change the what is to what ought to be during almost eight decades. His insights, opinions and anecdotes are readable, entertaining and offer nourishing food for thought. An important journey in America and well worth taking.
The Past is a Foreign Country - Revisited
A completely updated new edition of David Lowenthal's classic account of how we reshape the past to serve present needs.
North + South
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History Will Repeat Itself
This exhibition looked at strategies of re-enactment in contemporary media art and performance art. Re-enactments repeat historical events; they replace "false" memories with individual experiences through direct and physical experience of history.
