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At a time when the complete human genome has been sequenced and when seemingly every week feature news stories describe genes that may be responsible for personality, intelligence, even happiness, Michel Morange gives us a book that demystifies the power of modern genetics. The Misunderstood Gene takes us on an easily comprehensible tour of the most recent findings in molecular biology to show us how--and if--genes contribute to biological processes and complex human behaviors. As Morange explains, if molecular biologists had to designate one category of molecules as essential to life, it would be proteins and their multiple functions, not DNA and genes. Genes are the centerpiece of modern b...
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The topic of bipolar compatible CMOS (BiCMOS) is a fascinating one and of ever-growing practical importance. The "technology pendulum" has swung from the two extremes of preeminence of bipolar in the 1950s and 60s to the apparent endless horizons for VLSI NMOS technology during the 1970s and 80s. Yet starting in the 1980s severallimits were clouding the horizon for pure NMOS technology. CMOS reemerged as a· viable high density, high performance technology. Similarly by the mid 1980s scaled bipolar devices had not only demonstrated new high speed records, but early versions of mixed bipolar/CMOS technology were being produced. Hence the paradigm of either high density . Q[ high speed was met...
This book traces the origins of modern varieties of Yiddish and presents evidence for the claim that, contrary to most accounts, Yiddish only developed into a separate language in the 15th century. Through a careful analysis of Yiddish phonology, morphology, orthography, and the Yiddish lexicon in all its varieties, Alexander Beider shows how what are commonly referred to as Eastern Yiddish and Western Yiddish have different ancestors. Specifically, he argues that the western branch is based on German dialects spoken in western Germany with some Old French influence, while the eastern branch has its origins in German dialects spoken in the modern-day Czech Republic with some Old Czech influe...
Superbly illustrated views from antiquity to modern times accompany concise profiles of synagogues across the continent, including Cracow's Old Synagogue, the Great Synagogue of Vilnius, and Vienna's Tempelgasse. 253 illustrations.
Every day it seems the media focus on yet another new development in biology--gene therapy, the human genome project, the creation of new varieties of animals and plants through genetic engineering. These possibilities have all emanated from molecular biology. A History of Molecular Biology is a complete but compact account for a general readership of the history of this revolution. Michel Morange, himself a molecular biologist, takes us from the turn-of-the-century convergence of molecular biology's two progenitors, genetics and biochemistry, to the perfection of gene splicing and cloning techniques in the 1980s. Drawing on the important work of American, English, and French historians of s...
Publikace vypráví o historii Katedry anglistiky a amerikanistiky FF MU. Vyprávění je strukturované a je založeno na metodě orální historie. Vypravěčem je Don Sparling, osobnost dlouhodobě spjatá s životem katedry a její bývalý vedoucí. První kapitola líčí vznik Anglického semináře v roce 1920 pod vedením profesora Františka Chudoby a pokračuje popisem meziválečných událostí. Další kapitoly se věnují poválečnému období až do roku 1977 (příchod Dona Sparlinga na katedru), následně osmdesátým létům a době porevoluční do roku 2000. Poslední kapitola shrnuje dějiny významné součásti života katedry, divadelního spolku The Gypsywood Players.
What is kitsch? What is behind its appeal? More important, what is wrong with kitsch? Though central to our modern and postmodern culture, kitsch has not been seriously and comprehensively analyzed; its aesthetic worthlessness has been generally assumed but seldom explained. Kitsch and Art seeks to give this phenomenon its due by exploring the basis of artistic evaluation and aesthetic value judgments. Tomas Kulka examines kitsch in the visual arts, literature, music, and architecture. To distinguish kitsch from art, Kulka proposes that kitsch depicts instantly identifiable, emotionally charged objects or themes, but that it does not substantially enrich our associations relating to the depicted objects or themes. He then addresses the deceptive nature of kitsch by examining the makeup of its artistic and aesthetic worthlessness. Ultimately Kulka argues that the mass appeal of kitsch cannot be regarded as aesthetic appeal, but that its analysis can illuminate the nature of art appreciation.