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In his inaugural address, President John F. Kennedy challenged Americans to do something for their country. Thousands of young people answered his call, launching an era of flourishing social activism that eclipsed any in U.S. history. Citizens rallied behind an endless variety of social justice organizations to change the country's social and political landscape. As these social movements gained momentum, the severe poverty of the Appalachian region attracted the attention of many spirited young Americans. In 1964, a group of them formed the Appalachian Volunteers, an organization intent on eradicating poverty in eastern Kentucky and the rest of the Southern mountains. In Reformers to Radic...
Information about the biology, ecology, and management of quaking aspen on the mountains and plateaus of the interior western United States, and to a lesser extent, Canada, is summarized and discussed. The biology of aspen as a tree species, community relationships in the aspen ecosystem, environments, and factors affecting aspen forests are reviewed. The resources available within and from the aspen forest type, and their past and potential uses are examined. Silvicultural methods and other approaches to managing aspen for various resources and uses are presented.
Four decades have passed since reports of a mysterious “gay cancer” first appeared in US newspapers. In the ensuing years, the pandemic that would come to be called AIDS changed the world in innumerable ways. It also gave rise to one of the late twentieth century’s largest health-based empowerment movements. Scholars across diverse traditions have documented the rise of the AIDS activist movement, chronicling the impassioned echoes of protestors who took to the streets to demand “drugs into bodies.” And yet not all activism creates echoes. Included among the ranks of 1980s and 1990s-era AIDS activists were individuals whose expressions of empowerment differed markedly from those de...
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. Theatrical representations of the Bowery Boy emphasized the privileges of whiteness against nonwhite workers including enslaved and free African Americans during the Antebellum Period, an articulation of white superiority that continued through the early twentieth century with Jewish, Italian, and Chinese immigrants. The book’s examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy. J. Chris Westgate further explores links between the Bowery Boy’s rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.