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What should a catalogue of archaeological material contain? This book is a comprehensive index of 210 lamps from the Roman fort of Gerulata (present-day Bratislava-Rusovce, Slovakia) and its adjoining civilian settlement. The lamps were excavated during the last 50 years from the houses, cemeteries, barracks and fortifications of this Roman outpost on the Limes Romanus and span almost three centuries from AD 80 to AD 350. For the first time, they are published in full and in color with detailed analysis of lamp types, workshop marks and discus scenes. Roman lamps were a distinctive form of interior lighting that burned liquid fuel seeped through a wick to create a controlled flame. Relief decorations have made them appealing objects of minor art in modern collections, but lamps were far more than that – with a distribution network spanning three continents, made by a multitude of producers and brands, with their religious imagery depicting forms of worship, and as symbols of study and learning, Roman lamps are an effective tool that can be used by the modern scholar to discover the ancient economy, culture, craft organization and Roman provincial life.
Do the terms ?pagan? and ?Christian,? ?transition from paganism to Christianity? still hold as explanatory devices to apply to the political, religious and cultural transformation experienced Empire-wise? Revisiting ?pagans? and ?Christians? in Late Antiquity has been a fertile site of scholarship in recent years: the paradigm shift in the interpretation of the relations between ?pagans? and ?Christians? replaced the old ?conflict model? with a subtler, complex approach and triggered the upsurge of new explanatory models such as multiculturalism, cohabitation, cooperation, identity, or group cohesion. This collection of essays, inscribes itself into the revisionist discussion of pagan-Christ...
Issues for 1856-1857 include section called: Family visitant; conducted by Mrs. S.R. Ford.
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“For those of us who portray wildlife . . . our decision to persist in our quest for excellence is almost always based on a love affair, a fascination with the creatures of our planet, and a need to share this feeling the best way we know how.” So said wildlife artist Robert Kuhn (1920–2007), who spent a lifetime sketching and painting animals, and generously mentoring other artists. Bob Kuhn: Drawing on Instinct presents a generous sampling of his rarely seen sketches alongside the vibrant paintings for which he is best known. Appearing in conjunction with a traveling exhibit mounted by the National Museum of Wildlife Art, in Jackson, Wyoming, this book allows readers to observe the a...