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Designed as a tribute to Robert Garfias, who has conducted field work in more cultures than any other living ethnomusicologist, this volume explores the originating encounter in field work of ethnomusicologists with the musicians and musical traditions they study. The nineteen contributors provide case studies from nearly every corner of the world, including biographies of important musicians from the Philippines, Turkey, Lapland, and Korea; interviews with, and reports of learning from, musicians from Ireland, Bulgaria, Burma, and India; and analyses of how traditional musicians adapt to the encounter with modernity in Japan, India, China, Turkey, Afghanistan, Morocco, and the United States...
A landmark in ethnomusicology, expanded and revised.
Twenty-Five Women Who Shaped the Ottoman Empire is a tale of how women’s triumphs as well as their failures shaped a global society—not despite, but because of, gender. The Ottoman Empire was among the longest-lived polities in history, stretching between the thirteenth and twentieth centuries across three continents, several seas, and scores of cities, deserts, mountain ranges, rivers, and forests. This volume provides a compendium of idiosyncratic life stories and explores how women from these eras and regions understood the shape of the world in which they lived, and how they brought their consciousness of their gender to their efforts to re-shape it. Among the questions explored in t...
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The musical instruments of East and Southeast Asia enjoy increasing recognition as parts of humanity’s intangible cultural heritage. Helen Rees edits a collection that offers vibrant new ways to link these objects to their materials of manufacture, the surrounding environment, the social networks they form and help sustain, and the wider ethnic or national imagination. Rees organizes the essays to reflect three angles of inquiry. The first section explores the characteristics and social roles of various categories of instruments, including the koto and an extinct Balinese wooden clapper. In section two, essayists focus on the life stories of individual instruments ranging from an heirloom ...
Non-Aboriginal; based on papers presented at Ideas, Concepts and Personalities in the History of Ethnomusicology conference, Urbana, Illinois, April 1988.