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The eight novellas collected in this book display the humor, exuberant spirit, love of language, and insight of the Spanish writer Ramón Gómez de la Serna, a central figure in the European and Latin American avant-garde, and a key contributor of Anglo-American imagism to Spanish literature. Father of the prose and poetry of the «Generation of '27», Gómez de la Serna was admired by T.S. Eliot, Macedonio Fernández, Oliverio Girondo, Octavio Paz, Pablo Neruda, Alfonso Reyes, and was a source of inspiration for Borges, García Márquez, Cortázar, and Pizarnik. These novellas, with their humorous and witty exaggerations of everyday human foibles, their simple story lines and often-surprising endings, are presented here in the original Spanish with a clear English translation on facing pages. This book will be useful in intermediate and advanced Spanish classes and in translation courses.
One of the defining features of modernism lies in its far-reaching rethinking of the relation between the human and the non-human. In the present volume, this crucial aspect of modernism’s legacy is investigated from an authentically transnational perspective, taking an innovative stance on a diverse range of authors – from posthumanist classics such as Beckett and Woolf to Valentine de Saint-Point, Radoje Domanovic and Aldo Palazzeschi among others. On the one hand, this collection sheds new light on the modernist contribution to posthumanism, providing a valuable reference point for future studies on the topic. On the other, it offers a new take on the transnational dimension of modernism, highlighting unexplored convergences between modernist authors from several different national contexts.
Ray L. Birdwhistell, in this study of human body motion (a study he terms kinesics), advances the theory that human communication needs and uses all the senses, that the information conveyed by human gestures and movements is coded and patterned differently in various cultures, and that these codes can be discovered by skilled scrutiny of particular movements within a social context.
From Simon & Schuster, Origins of the English Language is Joseph M. Williams' exploration of social and linguistic history. In this book, author Joseph Williams presents a unique social and linguistic history as he explains the ways in which culture, education, class, and race affect language use and what changes in grammar reveal about the changes in our social lives.
The present volume is an excellent introduction to the study of human nonverbal communication, including interaction and gesture, for students and specialists in other disciplines, as well as a convenient compilation of significant contributions to the field for experts. Part 1 includes four articles, the import of which is primarily theoretical or methodological. Part II comprises eight articles in which instances of interaction are examined and attempts are made to explain how the behavior that can be observed in them functions in the interaction process. Part III presents six articles on what may broadly be referred to as 'gesture'. These articles deal with specific actions, mostly of the forelimbs, which are usually deemed to have specific communicational significance. In an introductory chapter, the volume editor, Adam Kendon, not only examines the various issues raised by the eighteen papers but also shows the relevance of each article as a contribution to the development of an understanding of how human visible behavior functions communicatively.
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A collection of papers on: Language teaching; Bilingualism; Language testing; Contrastive analysis; Language acquisition and performance; Language, thought, and meaning;Linguistic and literary analysis; Lexical and terminological studies; Language policy and language planning.
A celebrity in his own day, who gave lectures dressed as Napoleon or seated on the back of an elephant, Ramâon Gâomez de la Serna is the most representative writer of the interwar Spanish avant-garde. This book explores Gâomez de la Serna's art and his quest to break down the barriers between literature and life, addressing two elements - already present in his work - of radical relevance in today's cultural debates: the relation of the human being to the material world and the reduction of all experience to a singular individuality. Bringing Gâomez de la Serna to an Anglophone audience, it reveals him to be the embodiment of a new kind of art on both sides of the Atlantic.