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Robert Lachmann’s letters to Henry George Farmer provide insightful glimpses into his life and the successive research projects he undertook concerning Arab urban music from North Africa and later Arab and Jewish music traditions in Palestine.
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"The ethnomusicologist Robert Lachmann (1892-1939) wrote and presented twelve radio programs entitled Oriental Music, which were transmitted by the Palestine Broadcasting Service between November 1936 and April 1937. The programs, which formed part of Lachmann's pioneering project to establish an "Oriental music archive" at the Hebrew University of Jerusalem, included live performances of traditional music representing the different ethnic and religious communities of Palestine, performances that were simultaneously recorded onto metal disc. This edition presents Lachmann's scripts with musical transcriptions of performances, transcriptions and translations of the sung texts, and selected digitally restored musical recordings (provided on the accompanying digital audio files). The introduction and editorial commentaries explore Lachmann's radio lectures as they relate to his body of research on "Oriental music" and to wider concerns of scholarship, politics, and ideology." --
Includes CD of the broadcasts (2-disc set) Book URL: https://www.areditions.com/rr/rrotm/otm010.html The ethnomusicologist Robert Lachmann (1892¿1939) wrote and presented twelve radio programs entitled Oriental Music, which were transmitted by the Palestine Broadcasting Service between November 1936 and April 1937. The programs, which formed part of Lachmann¿s pioneering project to establish an ¿Oriental music archive¿ at the Hebrew University of Jerusalem, included live performances of traditional music representing the different ethnic and religious communities of Palestine, performances which were simultaneously recorded onto metal disc. This edition presents Lachmann¿s scripts with ...
Politically and historically, the Mediterranean has been a space for critical dialogue for competing and often antagonistic voices, and still functions as meeting place for diverse and interdisciplinary approaches. Although other academic disciplines have attempted a unified approach to Mediterranean studies, until recently Mediterranean music as a singular concept has received relatively little scholarly development. This volume is a crucial first step and investigates several musical cultures that have traditionally demonstrated common threads, trends, and interactions. The music of Greece, Crete, Turkey, Albania, Corsica, Italy, Spain, Morocco, Algeria and Palestine are all considered in this volume as the scholars represented here reveal the musical commonality among otherwise divergent traditions. Unnecessary technical jargon is avoided, and an interdisciplinary approach embracing ethnology and material culture considerations makes this volume relevant not only to musicologists and anthropologists, but likewise to the general reader interested in tourism.
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Offers a new way of understanding music's connections with Orientalism and imperialism by using the concept of 'mission'.