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American Literature Before 1880
  • Language: en
  • Pages: 364

American Literature Before 1880

An accessible introduction to the richness and variety of American Literature up to 1880. This includes the early work of James and Twain, as well as Thoreau, Emily Dickinson, Poe, Cooper, Melville and Irving.

Approaches to the American Musical
  • Language: en
  • Pages: 180

Approaches to the American Musical

This new analysis of American film and stage musicals puts forward the argument that productions such as Kiss Me Kate were popular because they dealt with important issues such as ethnicity, rather than because of their value as escapism.

New Essays on The Last of the Mohicans
  • Language: en
  • Pages: 166

New Essays on The Last of the Mohicans

This volume tracks critical responses to the The Last of the Mohicans from the time of its publication in 1826 to the present day.

Explorations Into the World of Lewis and Clark V-3 of 3
  • Language: en
  • Pages: 528

Explorations Into the World of Lewis and Clark V-3 of 3

Volume 3 of 3. This 3-volume anthology of 194 articles (with 102 maps and illustrations) published between 1974 and 1999 in We Proceeded On, The quarterly journal of the Lewis and Clark Trail Heritage Foundation. Contributors include Stephen Ambrose, John Logan Allen, and Paul Russell Cutright among other professional and amateur Lewis and Clark scholars. Vol. 1 ISBN 1582187622, Vol. 2 ISBN 1582187649 Vol. 3 1582187665.

Unraveling Edward S. Curtis's The North American Indian
  • Language: en
  • Pages: 348

Unraveling Edward S. Curtis's The North American Indian

In the years 1900-1930, American photographer Edward S. Curtis realized his life’s work, the monumental twenty-volume book series The North American Indian (1907-1930). Over the years, this work has been both praised and criticized. In this comprehensive and innovative study, Herman Cohen Stuart corrects a number of persistent misconceptions about the way Curtis, for many the most image-defining and influential photographer of American Indians, has represented the indigenous peoples of North America. The author argues that Curtis was keenly aware of the major changes Native Americans faced in the early 20th century. As is demonstrated by a thorough – both quantitative and qualitative – analysis of both Curtis’s texts and photographic artwork, Curtis was deeply conscious of the fact that by, and even before, the turn of the century, Western influences had already made large inroads into Native American life. This book provides a reappraisal of Curtis's position during this complicated and trying period for Native Americans.

Laughing at the Darkness: Postmodernism and Optimism in American Humour
  • Language: en
  • Pages: 149

Laughing at the Darkness: Postmodernism and Optimism in American Humour

Paul McDonald’s book is the second in our Contemporary American Literature series, edited by Christopher Gair and Aliki Varvogli. Given that postmodernism has been associated with doubt, chaos, relativism and the disappearance of reality, it may appear difficult to reconcile with American optimism. Laughing at the Darkness demonstrates that this is not always the case. In examining the work of, among others, Sherman Alexie, Woody Allen, Douglas Coupland, Jonathan Safran Foer, Bill Hicks, David Mamet, and Philip Roth, McDonald shows how American humorists bring their comedy to bear on some of the negative implications of philosophical postmodernism and, in so doing, explore ways of reclaiming value.

Creole Subjects in the Colonial Americas
  • Language: en
  • Pages: 520

Creole Subjects in the Colonial Americas

Creolization describes the cultural adaptations that occur when a community moves to a new geographic setting. Exploring the consciousness of peoples defined as "creoles" who moved from the Old World to the New World, this collection of eighteen original essays investigates the creolization of literary forms and genres in the Americas between the sixteenth and nineteenth centuries. Creole Subjects in the Colonial Americas facilitates a cross-disciplinary, intrahemispheric, and Atlantic comparison of early settlers' colonialism and creole elites' relation to both indigenous peoples and imperial regimes. Contributors explore literatures written in Spanish, Portuguese, and English to identify c...

Race, Sexuality, and Gender and the Musical Screen Adaptation
  • Language: en
  • Pages: 329

Race, Sexuality, and Gender and the Musical Screen Adaptation

"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., go...

The Oxford Handbook of Musical Theatre Screen Adaptations
  • Language: en
  • Pages: 690

The Oxford Handbook of Musical Theatre Screen Adaptations

Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how th...

Theatre Symposium, Vol. 22
  • Language: en
  • Pages: 139

Theatre Symposium, Vol. 22

The eleven original essays in Volume 22 of Theatre Symposium examine facets of the historical and current business of theatre.