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Learning to Curse
Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' - drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insulating literature from the world around it. Learning to Curse charts the evolution of that approach and provides a vivid and compelling exploration of a complex and contradictory epoch.
Reformations
This fast-paced survey of Western civilization’s transition from the Middle Ages to modernity brings that tumultuous period vividly to life. Carlos Eire, popular professor and gifted writer, chronicles the two-hundred-year era of the Renaissance and Reformation with particular attention to issues that persist as concerns in the present day. Eire connects the Protestant and Catholic Reformations in new and profound ways, and he demonstrates convincingly that this crucial turning point in history not only affected people long gone, but continues to shape our world and define who we are today. The book focuses on the vast changes that took place in Western civilization between 1450 and 1650, ...
Martin Luther's Theology of Two Kingdoms in Buddhist and Christian Communities
Socially engaged religion teaches that people of faith have a responsibility to address and reduce suffering in all its forms, both physical and spiritual, including suffering resulting from social injustice, exploitation, oppression, false faith, and so forth. True religion engages with society to alleviate suffering and bring transformation. In other words, religious violence is an obscenity, a deviation from the true character of religion. Martin Luther's Theology of Two Kingdoms in Buddhist and Christian Communities examines the principle of separation between religion and politics in the context of both Buddhist and Christian communities. In predominantly Buddhist contexts such as Myanmar, where a reciprocal relationship between religion and politics is expected, separation is not effective. Attempts by Christians to separate religion and politics cause the church to run away from tyranny and follow the state with blind obedience. Martin Luther’s model of two distinct but interconnected systems for religion and politics creates space for each institution to give constructive advice and criticism to the other for the health of all human beings.
Representing the English Renaissance
"An exciting collection of essays on English Renaissance literature and culture, this book contributes substantially to the contemporary renaissance in historical modes of critical inquiry."--Margaret W. Ferguson, Columbia University "An exciting collection of essays on English Renaissance literature and culture, this book contributes substantially to the contemporary renaissance in historical modes of critical inquiry."--Margaret W. Ferguson, Columbia University
Transforming the Powers
Walter Wink's widely acclaimed trilogy from Fortress Press - Naming the Powers 0-8006-1786-X (1984), Unmasking the Powers 0-8006-1902-1 (1993), and Engaging the Powers 0-8006-2646-X (1992) - has sold over 80,000 copies. The Powers are good; the Powers are fallen; the Powers must be redeemed, says Wink; and the illustrious theologians and ethicists in this volume apply this suggestive analysis to economics, politics and government, war and peace, personal ethics and ecological and social justice.Contributors include: Ray Gingerich, Eastern Mennonite University Ted Grimsrud, Eastern Mennonite University Nancey Murphy, Fuller Theological Seminary Daniel Liechty, Illinois State University Walter Wink, Auburn Theological Seminary Willard M. Swartley, Associated Mennonite Biblical Seminary Glen Stassen, Fuller Theological Seminary
Peasants, Warriors, and Wives
In Peasants, Warriors, and Wives, Keith Moxey examines woodcut images from the German Reformation that have often been ignored as a crude and inferior form of artistic production. In this richly illustrated study, Moxey argues that while they may not satisfy received notions of "art," they nevertheless constitute an important dimension of the visual culture of the period. Far from being manifestations of universal public opinion, as a cursory acquaintance with their subject matter might suggest, such prints were the means by which the reformed attitudes of the middle and upper classes were disseminated to a broad popular audience.
