Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Anti-modernism
The last volume of the Discourses of Collective Identity in Central and Southeast Europe 1770–1945 series presents 46 texts under the heading of "antimodernism". In a dynamic relationship with modernism, from the 1880s to the 1940s, and especially during the interwar period, the antimodernist political discourse in the region offered complex ideological constructions of national identification. These texts rejected the linear vision of progress and instead offered alternative models of temporality, such as the cyclical one as well as various narratives of decline. This shift was closely connected to the rejection of liberal democratic institutionalism, and the preference for organicist mod...
Lviv – Wrocław, Cities in Parallel?
After World War II, Europe witnessed the massive redrawing of national borders and the efforts to make the population fit those new borders. As a consequence of these forced changes, both Lviv and Wrocław went through cataclysmic changes in population and culture. Assertively Polish prewar Lwów became Soviet Lvov, and then, after 1991, it became assertively Ukrainian Lviv. Breslau, the third largest city in Germany before 1945, was in turn "recovered" by communist Poland as Wrocław. Practically the entire population of Breslau was replaced, and Lwów's demography too was dramatically restructured: many Polish inhabitants migrated to Wrocław and most Jews perished or went into exile. The ...
Beau Monde on Empires Edge
Cover -- Copyright page -- Contents -- List of Illustrations -- Acknowledgments -- Note to the Reader on Transliteration -- Abbreviations -- Introduction: The Beau Monde on the Borderlands -- 1 The Russian Imperial Southwest: Theatre in the Age of Modernism and Pogroms -- 2 The Literary Fair: Mikhail Bulgakov and Mykola Kulish -- 3 Comedy Soviet and Ukrainian? Il'f-Petrov and Ostap Vyshnia -- 4 The Official Artist: Solomon Mikhoels and Les' Kurbas -- 5 The Arts Official: Andrii Khvylia, Vsevolod Balyts'kyi, and the Kremlin -- 6 The Soviet Beau Monde: The Gulag and Kremlin Cabaret -- Notes -- Selected Bibliography -- Index
The Burgtheater and Austrian Identity
The collapse of the Habsburg monarchy in 1918 galvanized discussion about national identity in the new Republic of Austria. As Robert Pyrah shows in this thoroughly documented study, the complex identity politics of interwar Austria were played out in the theatres of Vienna, which enjoyed a cultural prominence rarely matched in other countries. By 1934, productions across the city were being co-opted to serve the newly patriotic cause of the Dollfuss and Schuschnigg regimes, and the Burgtheater, once known as the ‘first German stage’, had been transformed into a ‘national theatre for Austria’. Using case studies of key productions and a wealth of previously unseen archival material, Pyrah sheds new light on artistic and ideological developments throughout the period, including the neglected earlier years. He documents previously unexplored overlaps in the cultural programmes of Left and Right, and unearths evidence that key institutions were subverted by the Right well before the suspension of parliamentary rule in 1933.
Building a Nazi Racial Community in the South-East
Im letzten Jahrzehnt erschienen zahlreiche Beiträge, die den transnationalen Charakter des Faschismus untersuchten, wenige jedoch gingen auf die Verstrickungen und Einflüsse zwischen dem Dritten Reich und den rechtsradikalen Bewegungen der deutschen Minderheiten in Südosteuropa ein. Der vorliegen- de Band möchte diese Lücke schließen, indem er Untersuchungen über die NS-Bewegungen unter den Deutschen in Rumänien, Ungarn, Jugoslawien und der Tschechoslowakei sowie deren Beziehungen zu Deutschland veröffentlicht. Die Kapitel behandeln Aspekte wie das Anwachsen der NS-Bewegung unter den jungen "Volksdeutschen", das Kulturleben, die Veränderungen in der deutschsprachigen Presse oder die Ressourcen-Mobilisierung zur Unterstützung des von Hitler geführten Krieges. Besondere Aufmerksamkeit wird dem Transfer von Praktiken in Politik, Ideologie und Propaganda geschenkt.
Black Vienna
Interwar Vienna was considered a bastion of radical socialist thought, and its reputation as "Red Vienna" has loomed large in both the popular imagination and the historiography of Central Europe. However, as Janek Wasserman shows in this book, a "Black Vienna" existed as well; its members voiced critiques of the postwar democratic order, Jewish inclusion, and Enlightenment values, providing a theoretical foundation for Austrian and Central European fascist movements. Looking at the complex interplay between intellectuals, the public, and the state, he argues that seemingly apolitical Viennese intellectuals, especially conservative ones, dramatically affected the course of Austrian history. ...
The Weimar Moment
The Weimar Moment's evocative assault on closure and political reaction, its offering of democracy against the politics of narrow self-interest cloaked in nationalist appeals to Volk and "community"--or, as would be the case in Nazi Germany, "race"--cannot but appeal to us today. This appeal--its historical grounding and content, its complexities and tensions, its variegated expressions across the networks of power and thought--is the essential context of the present volume, whose basic premise is unhappiness with Hegel's remark that we learn no more from history than we cannot learn from it. The challenge of the papers in this volume is to provide the material to confront the present effectively drawing from what we can and do understand.
A Stage for Debate
A Stage for Debate presents a detailed analysis of the repertoire of the leading German-language stage of the nineteenth century, Vienna’s Burgtheater. The book explores the extent to which the Burgtheater repertoire contributed to important political and cultural debates on individual liberty, the role of women in society, and the understanding of national and regional identity. The relevance of the Burgtheater as a forum for political debate is assessed not by the degree to which the performed plays transgressed established norms, but by the range of positions that were voiced on a given topic. Martin Wagner investigates the roughly 1,000 plays from across Europe that were introduced to the Burgtheater’s repertoire between 1814 and 1867 by combining a general overview with detailed interpretations of especially successful plays. Wagner reveals that the Burgtheater was significantly more involved in contemporary debates than the stereotype of this stage as an artistically refined but apolitical institution suggests. Drawing from theatre studies and German and Austrian studies more broadly, A Stage for Debate revises the history of one of Europe’s leading theatres.
Migrating Memories
Charts the transnational story of Romanian Germans in modern Europe - their migration, their position as a minority, and their memories.
Vanquished and Victorious
Recent research has revised earlier views about the role of veterans of World War One in paramilitary formations, radical nationalism and political extremism in inter-war Europe, yet there remain considerable gaps in our understanding of the role they played in the ‘successor states’ of the Habsburg Empire. Vanquished and Victorious provides an innovative comparative investigation of veterans in Austria and Czechoslovakia, two states whose wider political development was of crucial importance to the question of stability in Central Europe after 1918. While differing in terms of how successfully veterans reintegrated into post-war society, this volume shows that both countries incorporated elements of ‘cultures of victory and defeat’.
