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With the gray whale off the endangered list, the Makah Indians decide to resurrect the skills of their ancestors and return to the hunt amidst tribal infighting and animal rights activists.
New York Public Library Book for the Teenager New York Public Library Book to Remember PSLA Young Adult Top 40 Nonfiction Titles of the Year "Engaging...a lively, informative compendium of facts, theories, and musings."-Michiko Kakutani, New York Times Behold the rat, dirty and disgusting! Robert Sullivan turns the lowly rat into the star of this most perversely intriguing, remarkable, and unexpectedly elegant New York Times bestseller. Love them or loathe them, rats are here to stay-they are city dwellers as much as (or more than) we are, surviving on the effluvia of our society. In Rats, the critically acclaimed bestseller, Robert Sullivan spends a year investigating a rat-infested alley j...
Sullivan offers a portrait of a Victorian life that probes the cost of power, the practice of empire, and the impact of ideas. Devoting his talents to gaining power—above all for England and its empire—made Macaulay’s life a tragedy. Sullivan offers an unrivaled study of an afflicted genius and a thoughtful meditation on the modern ethics of power.
Capital punishment case studies cover such issues as post-traumatic stress disorder, insanity, juveniles, deprived childhoods, retarded, judicial errors, racial issues, sex differences.
From revered established writers as well as exciting new voices, the poems in Puna Wai Korero offer a broad picture of Maori poetry in English. The voices are many and diverse: confident, angry, traditional, respectful, experimental, despairing and full of hope, expressing a range of poetic techniques and the full scope of what it is to be Maori.
The life of nineteenth-century journalist, diplomat, adventurer, and enthusiast for lost causes John Louis O'Sullivan is usually glimpsed only in brief episodes, perhaps because the components of his life are sometimes contradictory. An exponent of romantic democracy, O'Sullivan became a defender of slavery. A champion of reforms for women, labor, criminals, and public schools, he ended his life promoting spiritualism. This first full-length biography reveals a man possessed of the idealism and promise, as well as the prejudices and follies, of his age, a man who sensed the revolutionary and liberating potential of radical democracy but was unable to acknowledge the racial barriers it had to cross to fulfill its promise. Sure to be welcomed by scholars of the Jacksonian era and others interested in nineteenth-century American history, John L. O'Sullivan and His Times presents an in-depth examination of O'Sullivan's ideas as they were expressed in the Democratic Review and other newspapers and literary magazines that he edited. O'Sullivan was a crusader whose efforts to end capital panishment came within a hair's breadth of ending hanging in New York; an editor who called down the w
Robert Sullivan, who has driven cross-country more than two dozen times, recounts one of his family's many journeys from Oregon to New York. His story of moving his family back and forth from the East Coast to the West Coast (along with various other migrations), is replete with all the minor disasters, humor, and wonderful coincidences that characterize life on the road, not to mention life. As he drives, Sullivan ponders his Lewis and Clark and other fellow nation-crossers, meets Beat poets who are devotees of cross-country icon Jack Kerouac, and plays golf on an abandoned coal mine. And, in his trademark celebration of the mundane, Sullivan investigates everything from the history of the gas pump to the origins of fast food and rest stops. Cross Country tells the tales that come from fifteen years of driving across the country (and all around it) with two kids and everything that two kids and two parents take when driving in a car from one coast to another, over and over, driving to see the way the road made America and America made the road.
Captain Cook in the Underworld is a book-length poem by a gifted Maori poet, an archetypal exploration of Western mythology and legend as it 'discovers' itself in the South Pacific. The poem was commissioned as the libretto for a new work with composer John Psathas for the fiftieth anniversary celebration of Wellington's Orpheus Choir. Captain Cook in the Underworld offers fresh perspectives on the familiar story of Cook's Pacific explorations; it has a broad bi-cultural (European/Polynesian) frame of references; and Sullivan employs a bold risk-taking approach. The book is a highly stylised, 'operatic' account of the voyages, with similarities to the musical structure of Coleridge's Rime of the Ancient Mariner', and opera. As the poem unfolds, European myth (Orpheus, Venus, etc) has to make space for Polynesian myth (Maui, Reinga, etc). In the final pages, Cook is required after his death to face up to the damage his expeditions have inflicted on the indigenous peoples of the Pacific. This theme of European guilt and recognition will have a strong and shocking impact.
Americans tend to think of the Revolution as a Massachusetts-based event orchestrated by Virginians, but in fact the war took place mostly in the Middle Colonies—in New York and New Jersey and the parts of Pennsylvania that on a clear day you can almost see from the Empire State Building. In My American Revolution, Robert Sullivan delves into this first Middle America, digging for a glorious, heroic part of the past in the urban, suburban, and sometimes even rural landscape of today. And there are great adventures along the way: Sullivan investigates the true history of the crossing of the Delaware, its down-home reenactment each year for the past half a century, and—toward the end of a ...