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Robert Vrinat, texte : Mannoni. Gilles Ehrmann, photos. [Préface de Jamil Hamoudi.].
  • Language: fr
  • Pages: 14

Robert Vrinat, texte : Mannoni. Gilles Ehrmann, photos. [Préface de Jamil Hamoudi.].

  • Type: Book
  • -
  • Published: 1958
  • -
  • Publisher: Unknown

None

Europa! Europa?
  • Language: en
  • Pages: 547

Europa! Europa?

The first volume of the new series “European Avant-Garde and Modernism Studies” focuses on the relation between the avant-garde, modernism and Europe. It combines interdisciplinary and intermedial research on experimental aesthetics and poetics. The essays, written by experts from more than fifteen countries, seek to bring out the complexity of the European avant-garde and modernism by relating it to Europe’s intricate history, multiculturalism and multilingualism. They aim to inquire into the divergent cultural views on Europe taking shape in avant-garde and modernist practices and to chart a composite image of the “other Europe(s)” that have emerged from the (contemporary) avant-...

Magdeleine Vessereau, par Robert Vrinat
  • Language: fr
  • Pages: 21

Magdeleine Vessereau, par Robert Vrinat

  • Type: Book
  • -
  • Published: 1955
  • -
  • Publisher: Unknown

None

Introduction
  • Language: en

Introduction

  • Type: Book
  • -
  • Published: Unknown
  • -
  • Publisher: Unknown

None

Dorian
  • Language: fr
  • Pages: 11

Dorian

  • Type: Book
  • -
  • Published: 1960
  • -
  • Publisher: Unknown

None

Leonid Fridman
  • Language: fr

Leonid Fridman

  • Type: Book
  • -
  • Published: 1982
  • -
  • Publisher: Unknown

None

Nicolai Kuvshinoff
  • Language: en
  • Pages: 40

Nicolai Kuvshinoff

  • Type: Book
  • -
  • Published: 1960
  • -
  • Publisher: Unknown

None

David Solot
  • Language: en
  • Pages: 93

David Solot

  • Type: Book
  • -
  • Published: 1978*
  • -
  • Publisher: Unknown

None

May Stevens
  • Language: en
  • Pages: 172

May Stevens

  • Type: Book
  • -
  • Published: 2005
  • -
  • Publisher: Pomegranate

May Stevens' paintings weave themes of familial love and loss, societal ills, and the healing power of nature and the human community. This book surveys the full range of her remarkable lifework, from her early social protest paintings to her recent series of luminous, large-format images of lakes, rivers, and other bodies of water. Patricia Hills offers an insightful, in-depth look at Stevens' career, drawing on her own recollections and rounded out by informed commentary. Images and text bring to light Stevens' personal history, her humanitarian concerns, and the social context within which her art evolved.