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“Nuestros Antepasados” (Our Ancestors)
This is a book that for over forty years was carefully researched and footnoted by the principal author Ernest S. Sanchez. It is a story that is weaved together by multiple interviews with families and their familial history that makes this account and supported by documentation. This book brings into focus the following points: 1. History of the settlement of New Mexico from Onate to the present 2. The principal families that were involved in the settlement and their experiences... 3. The New Mexican experience from the Hispanic view in the history of the settlement of Lincoln County and the Lincoln County War 4. An insight on the personal relationship of the Hispanics with William H. Bonne...
It Calls You Back
Shares the author's story of his brushes with the law and addictions to heroin and alcohol, tracing his complicated journey toward a recovery marked by a run for political office and his rise to an internationally respected gang interventionist.
Applied Theatre and Intercultural Dialogue
This book examines applied theatre projects that bring together diverse groups and foster intercultural dialogue. Based on five case studies and informed by play theory, it argues that the playful elements of theatre processes nurture a unique intimacy among diverse people. However, this playful quality can also dampen explicit conversations about participants’ cultural differences, and defer an interrogation of people’s own entrenchment in systemic power imbalances. As a result, addressing these differences and imbalances in applied theatre contexts may require particular strategies.
Nights of Wailing, Days of Pain
Nights of Wailing, Days of Pain Life in 1920s South Texas Jose Antonio Lopez Summary Life in 1920s South Texas was mercilessly miserable for U.S. citizens of Spanish Mexican (Tejano) ancestry. The courageous descendants of Native Americans and the first Europeans to set foot in Texas had been reduced by this time to the status of foreigners in their own homeland. It had been over eighty years since the 1836 Battle of the Alamo, but the suffering of the native inhabitants continued unrestrained into the twentieth century. In short, Tejanos looked like the enemy, spoke Spanish like the enemy, worshipped as Catholics like the enemy, and thus were treated like the enemy. Akin to a never-ending n...
Rigor Mortis
A daughter who does not arrive at her own funeral. A mother whose state of denial leads her to treat her deceased daughter as if she were still alive. A father who discovers at his daughter's funeral the worst secret any human ever wants to find out. An aunt more concerned about her next date than giving her niece the final farewell. A very peculiar nun. A detective who can't understand what he's looking for. A German who lands at the funeral without knowing that his past will sweep him away like a tsunami. A funeral planner who will try to maintain order in his charming funeral home while stealing your heart. A hybrid genre book between drama and prose that presents an existential dilema right at your face: if life is so ridiculously meaningless, what stops death from being a burst of laughter?
Central Americans in Los Angeles
The second-largest Latino-immigrant group in Los Angeles after Mexicans, Central Americans have become a remarkable presence in city neighborhoods, with colorful festivals, flags adorning cars, community organizations, as well as vibrant ethnic businesses. The people from Belize, Guatemala, El Salvador, Honduras, Nicaragua, Costa Rica, and Panama living in Los Angeles share many cultural and historical commonalities, such as language, politics, religion, and perilous migratory paths as well as future challenges. The distinctions are also evident as ethnicities, music, and food create a healthy diversity throughout residential locations in Los Angeles. During the 1980s and 1990s, an unprecedented number of new Central Americans arrived in this cosmopolitan city, many for economic reasons while others were escaping political turmoil in their native countries. Today they are part of the ethnic layers that shape the local population. Central Americans have embraced Los Angeles as home and, in doing so, transported their rich heritage and customs to the streets of this multicultural metropolis.
They Came to Toil
As the Great Depression gripped the United States in the early 1930s, the Hoover administration sought to preserve jobs for Anglo-Americans by targeting Mexicans, including long-time residents and even US citizens, for deportation. Mexicans comprised more than 46 percent of all people deported between 1930 and 1939, despite being only 1 percent of the US population. In all, about half a million people of Mexican descent were deported to Mexico, a "homeland" many of them had never seen, or returned voluntarily in fear of deportation. They Came to Toil investigates how the news reporting of this episode in immigration history created frames for representing Mexicans and immigrants that persist...
Juan Bautista Plaza and Musical Nationalism in Venezuela
Juan Bautista Plaza (1898-1965) was one of the most important musicians in the history of Venezuela. In addition to composing in a variety of genres and styles, he was the leading figure in Venezuelan music education and musicology at a time when his compatriots were seeking to solidify their cultural identity. Plaza's compositions in the emerging nationalist style and his efforts to improve musical institutions in his home country parallel the work of contemporaneous Latin American musicians including Carlos Chávez of Mexico, Amadeo Roldán of Cuba, and Camargo Guarnieri of Brazil. Plaza's life and music are little studied, and Labonville's ambitious book is the first in English to be based on his extensive writings and compositions. As these and other documents show, Plaza filled numerous roles in Venezuela's musical infrastructure including researcher, performer, teacher, composer, promoter, critic, chapel master, and director of national culture. Labonville examines Plaza's many roles in an attempt to assess how the nationalist spirit affected art music culture in Venezuela, and what changes it brought to Venezuela's musical landscape.
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