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Other Planets
Here is a catalogue raisonee of Stockhausen's complete output, involving no technical analyses, but rather an examination of the music's aesthetic, practical, and intellectual assumptions. The book contains plentiful citations from the history of radio, film, and sound recording, and from contemporary science and technology. Laid out in strict chronological order, it contains unusually ample commentary on the composer's sources of inspiration, including discussions of the composers Hermann Schroeder, Olivier Messiaen, Pierre Schaeffer, Herbert Eimert, John Cage, the information scientist Werner Meyer-Eppler, and structural anthropologist Claude Levi-Strauss. Each of Stockhausen's compositions is treated on its own terms, and also as a piece in a larger puzzle, embracing surrealist art and literature as well as music. Every piece of music is fully documented within the text with full information of the publisher, catalogue number, instrumentation, duration, and composer-authorized compact disc.
Experiencing Stravinsky
Hear the name “Igor Stravinsky” and the first thing that comes to mind is a composer of ponderous, “serious” music. But did you know that Stravinsky lived much of his life in Hollywood? That he collaborated on musical projects with Pablo Picasso and George Balanchine? That his work subtly espoused deeply held political views and reflected key literary influences? That he was not only interested in the modern communication technologies of his time—sound recording, radio, television, even early computers—but wrote music that echoed their impact? In Experiencing Stravinsky, music historian Robin Maconie takes a fresh approach to understanding this great composer’s works, explainin...
Stockhausen on Music
Music.
The Concept of Music
What is music for? How does it work? What can it teach us? Intuitively, we feel there must be answers to such questions, but they tend to be scattered throughout a wide range of different areas of study, from acoustics to music history, from psychology to composition. In this brilliant and thought-provoking book, Maconie seeks the answers to these and other fundamental questions about music, integrating music and appropriate scientific research in a new evaluation of his topic. In so doing, he argues passionately for a reappraisal of music, not as mere entertainment, but as something basic to our experience of listening and communicating in sound, and an art which has exerted a profound influence on society.
Musicologia
In Musicologia--meaning "musical reasoning" as distinct from a mere love of music--author and composer Robin Maconie takes aim against the fashionable misconception that music is empty of meaning, or "auditory cheesecake." Fresh and penetrating insights draw attention to the influence of musical analogy in the history of science and philosophy from ancient Greece to modern times. Since music has always existed, it is an expression of human consciousness. The discoveries of Pythagoras, Zeno, Kepler, Newton, and Einstein would not have been possible without a tradition of musical acoustics. The story of Musicologia unfolds in thirty-one chapters from primordial considerations of silence, communication, selfhood, balance, and motion to focus on more recent and specific issues of chaos, order, relativity, and artificial intelligence, showing that even the most controversial aspects of modern art music form part of a wider endeavor to engage with universal propositions of science and philosophy.
The Science of Music
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Long Road from Jarrow
The Sunday Times Bestseller 'A tribute and a rallying call' - Guardian Three and half weeks. Three hundred miles. I saw roaring arterial highway and silent lanes, candlelit cathedrals and angry men in bad pubs. The Britain of 1936 was a land of beef paste sandwiches and drill halls. Now we are nation of vaping and nail salons, pulled pork and salted caramel. In the autumn of 1936, some 200 men from the Tyneside town of Jarrow marched 300 miles to London in protest against the destruction of their towns and industries. Precisely 80 years on, Stuart Maconie, walks from north to south retracing the route of the emblematic Jarrow Crusade. Travelling down the country’s spine, Maconie moves through a land that is, in some ways, very much the same as the England of the 30s with its political turbulence, austerity, north/south divide, food banks and of course, football mania. Yet in other ways, it is completely unrecognisable. Maconie visits the great cities as well as the sleepy hamlets, quiet lanes and roaring motorways. He meets those with stories to tell and whose voices build a funny, complex and entertaining tale of Britain, then and now.
Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks
Revealing the secret history of punctuation, this tour of two thousand years of the written word, from ancient Greece to the Internet, explores the parallel histories of language and typography throughout the world and across time.
Serial Music, Serial Aesthetics
Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, modern poetry and the information aesthetics and semiotics of Max Bense and Umberto Eco. M. J. Grant sketches an aesthetic theory of serialism as experimental music, arguing that serial theory's embrace of both rigorous intellectualism and aleatoric processes is not, as many have suggested, a paradox, but the key to serial thought and to its relevance for contemporary theory.
