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Performance in Java and Bali
The studies in this book examine traditional performance genres in the Indonesian islands of Java and Bali. They cover puppet and human theatre, dance, sung narrative, narrative temple reliefs, and vocal and instrumental music, span a period of more than a thousand years, and range over four cultural complexes: Sundanese in western Java, Javanese in central and eastern Java, Chinese in eastern Java, and Balinese in Bali.
The Ritual and Mythology of the Chinese Triads
The extensive ritual and mythological lore of the Chinese Triads form the scope of this new paperback in Brill’s Scholar’s List. In it the reader will find a critical evaluation of the extant sources together with a true wealth of context. The core of the book is formed by a close reading of the initiation ritual, including the burning of incense, the altar, the enactment of a journey of life and death, and the blood covenant. Different narrative structures are also presented. These include the messianic demonological paradigm, political legitimation, and the foundation of myth. Triad lore is placed in its own religious and cultural context, allowing radically new conclusions about its origins, meanings and functions. This book is of special interest to social historians, anthropologists, and students of Chinese religious culture.
Text, Performance, and Gender in Chinese Literature and Music
Wilt Idema is one of the world's leading scholars and translators of Chinese literature, with research interests ranging from classical poetry to premodern fiction, performance literature and women's writing. His oeuvre is exceptional in its inclusiveness and its ability to let different historical periods, genres and issues speak to one another, and to make the riches of Chinese literature accessible to a wide range of readers. In honor of his work, this collection brings together new research by twenty-two prominent scholars in a field of tremendous scope and diversity, on topics including genre characteristics, literary representations of social and political history, gender and cultural identity, music, autobiography, women's writing, internet literature and more.
Linked Faiths
If any subject lends itself to treatment in an edited volume, it is Chinese Religions; It is a recognized fact that the boundaries between the various religions in China, and those between religion and culture in general, have always been fluid. This can only be duly acknowledged by careful research from many angles – and by many experts. It is exactly these mutual influences that form the leading theme in this Festschrift in honour of Kristofer Schipper, taken up by a selection of his many expert pupils and colleagues. The thirteen contributions span over two millennia, ranging from the late Zhou to the present. Topics include divination, religious puppet theatre, the art of translating, late Ming Christianity, and literature. The major focus, however, is Taoism and its connections with medieval society, popular cults and medicine. Special mention, in this connection, should be made of an extensive analysis and translation of a fourth century poem from the Taoist Canon, and a study of the social circle of a leading Tang dynasty Taoist.
Ritual and Mythology of the Chinese Triads
The extensive ritual and mythological lore of the Chinese Triads form the scope of this new paperback title in Brill’s Scholars’ List. The author critically evaluates the extant sources and offers a wealth of contextual information. The core of the book is formed by a close reading of the initiation ritual, including the burning of incense, the altar, the enactment of a journey of life and death, and the blood covenant. Different narrative structures are also presented. These include the messianic demonological paradigm, political legitimation, and the foundation of myth. Triad lore is placed in its own religious and cultural context, allowing radically new conclusions about its origins, meanings and functions. This book is of special interest to social historians, anthropologists, and students of Chinese religious culture.
Puppet and Spirit: Ritual, Religion, and Performing Objects
This anthology of essays aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world. The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections? How do we describe, analyze, and theorize these relationships? The first of two volumes, this b...
Cross-Cultural Design
This three-volume set of CCD 2023, constitutes the refereed proceedings of the 25th International Conference on Cross-Cultural Design, CCD 2023, held as Part of the 24th International Conference, HCI International 2023, which took place in July 2023 in Copenhagen, Denmark. The total of 1578 papers and 396 posters included in the HCII 2023 proceedings volumes was carefully reviewed and selected from 7472 submissions. The papers of CCD 2023, Part I address topics related to service and product design for cultural innovation, design for social change and development, sustainable design methods and practices, and cross-cultural perspectives on design and consumer behavior.
Hokkien Theatre Across The Seas
This book adopts a refreshing approach by examining Hokkien theatre in a region connected by maritime networks, notably southern Fujian, Taiwan, Kinmen and Singapore. It considers how regional theatre is shaped by broader socio-cultural and political contexts and the motivation to stay relevant in an era of modernisation and secularisation. Political domains are often marked out by land boundaries, but the sea concept denotes fluidity, allowing theatrical forms to spread across these ‘land-bounded’ societies and share a common language and culture. "This is an insightful theatrical study on the web of Chinese cultural networks in southern China and Singapore, and by extension, between Ch...
Transforming Ethnomusicology Volume I
This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
Minority Stages
Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community’s diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sun...
