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“We are meant to take the Bible seriously, not literally.” —from the Introduction In Even the Devil Quotes Scripture, Robyn J. Whitaker looks to the Bible as a guide to interpreting the Bible, and her findings breathe new life into our understanding and use of Scripture. As it turns out, the uses of Scripture within Scripture are flexible, open to frequent reinterpretation, and rarely literal. For instance, Ezra and Nehemiah reinterpret laws about whether Jews can marry foreigners in the wake of the Babylonian exile. Their contradiction of earlier traditions found in Deuteronomic law do not invalidate Scripture but rather represent its diverse applications for the prophets’ specific ...
It has never been more important to read Revelation well. Whether you love it, hate it, or avoid it like the plague, the last book of the Bible's influence permeates our cultural, political, and religious landscapes. From the so-bad-they're...still bad actually...Left Behind series, to conspiracy theories about microchips and barcodes, to all-too-real political discourse and actions, John's visions in Revelation reach far beyond anything their ancient author could have imagined. But what did John imagine? Who was he writing for and why? And what's the deal with all the hideous horned beasts? Join New Testament scholar Robyn Whitaker as she uncovers the real-world contexts behind this ancient...
Robyn. J. Whitaker interprets the Book of Revelation within the context of ancient rhetoric and religion. She argues that the author of Revelation uses a popular rhetorical tool, ekphrasis, to paint word-pictures of God that compete with material images to both critique image-making and simultaneously make an absent God present.
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Trial Stories in Jewish Antiquity is the first book to examine what early Jewish courtroom narratives can tell us about the capacity and limits of human justice. Drawing from affect theory and feminist legal thought, Chaya T. Halberstam offers original readings of some of the most famous trials in the ancient Jewish tradition.
While feminist interpretations of the Book of Revelation often focus on the book’s use of feminine archetypes—mother, bride, and prostitute, this commentary explores how gender, sexuality, and other feminist concerns permeate the book in its entirety. By calling audience members to become victors, Revelation’s author, John, commends to them an identity that flows between masculine and feminine and challenges ancient gender norms. This identity befits an audience who follow the Lamb, a genderqueer savior, wherever he goes. In this commentary, Lynn R. Huber situates Revelation and its earliest audiences in the overlapping worlds of ancient Asia Minor (modern Turkey) and first-century Judaism. She also examines how interpreters from different generations living within other worlds have found meaning in this image-rich and meaning-full book.
In the wake of the global COVID-19 pandemic, Africa faced a unique set of challenges that sparked a profound spiritual response among its people. Wash and Pray: African Theological Discourse on COVID-19 delves into the heart of this response, exploring the intersections of faith, culture, history, and the pandemic that gripped the world from 2019 to 2022. The book demonstrates that for many Africans, the pandemic was not just a medical crisis but also a spiritual battle. As such, the book invites the reader to witness the historicising of the pandemic in Africa through this landmark resource for current and future generations, ensuring that the narratives of African Christianity in the face of COVID-19 and other pandemics are not lost. The chapter contributions offer diverse perspectives from Ghana, Nigeria, Rwanda, Zimbabwe, and the UK, each contextualising the African Christian response to the pandemic. In essence, this monograph paints a rich tapestry of African theological discourse during a global crisis, ultimately affirming that faith and science, when harmonised, can lead to a resilient and thriving community.
Moses: Man Among Men? examines the nature of Moses' relationships with other male characters by utilizing the theory of hegemonic masculinity and homosociality. In doing so, this book considers the way in which Moses is pictured as an idealized figure by comparison to other male characters in his story.
Reclaiming the first century as common ground rather than the origin of deeply entrenched differences: liberating the past to speak to us in another way. Conventional readings of antiquity cast Athens against Jerusalem, with Athens standing in for “reason” and Jerusalem for “faith.” And yet, Susan Buck-Morss reminds us, recent scholarship has overturned this separation. Naming the first century as a zero point—“year one”—that divides time into before and after is equally arbirtrary, nothing more than a convenience that is empirically meaningless. In YEAR 1, Buck-Morss liberates the first century so it can speak to us in another way, reclaiming it as common ground rather than ...
One of the most fundamental questions when reading and trying to understand New Testament texts is the question of genre. It is impossible to understand a text, its meaning and intention, in its proper historical setting if one does not understand its genre: As an example, interpreting a satirical text without understanding the genre would no doubt lead to grave misunderstandings. The same logic applies to texts from the New Testament, and the matter is complicated even further by the immense historical gap between the time of the genesis of the New Testament canon and now. The problem of the New Testament texts' genre(s) is therefore a vital area of scholarly discussion within international New Testament scholarship. The current volume utilizes the newest insights from current research on the New Testament to cast new light on the question of the genre of Mark's Gospel. Here, prominent international New Testament scholars discuss how we should understand the genre(s) of Mark's Gospel, thus making an important contribution to international scholarship on the Gospel of Mark as well as the Gospel genre in general.