Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Writing Postcolonial History
Writing Postcolonial History addresses the relationship between postcolonial theory and history. It provides students with critical analyses of postcolonial histories from around the world. In addition, it discusses the benefits and shortcomings of this form of writing by situating postcolonial history amid other modes of historical inquiry. The field of postcolonial history is complex. Even though many scholars share a set of commonalities, there are still important differences in emphasis. Through discussion of key texts, Writing Postcolonial History provides students with an accessible analysis and overview of the key areas of debate. This book is an effort to address the relationship between postcolonial theory and history; a regional critique of postcolonial theory; a consideration of the relative merits and drawbacks of postcolonial historical writing.
An Imperial Disaster
The first history of one of the nineteenth century's greatest natural calamities, its political context and its impact on colonial India
Art Cinema and India’s Forgotten Futures
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details...
Visible Histories, Disappearing Women
DIVArgues that the discursive erasure of Muslim women within colonial and Hindu nationalist discourse underpinned the construction of other identity categories in late colonial Bengal and remains linked to violence against Indian Muslim women today./div
Words of Her Own
Words of Her Own situates the experiences and articulations of emergent women writers in nineteenth-century Bengal through an exploration of works authored by them. Based on a spectrum of genres—such as autobiographies, novels, and travelogues—this book examines the sociocultural incentives that enabled the dawn of middle-class Hindu and Brahmo women authors at that time. Murmu explores the intersections of class, caste, gender, language, and religion in these works. Reading these texts within a specific milieu, Murmu sets out to rectify the essentialist conception of women’s writings being a monolithic body of works that displays a firmly gendered form and content, by offering rich in...
The Lure of the Image
The Lure of the Image shows how a close study of camera movement challenges key assumptions underlying a wide range of debates within cinema and media studies. Highlighting the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera—and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways that filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, one that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.
Civilizing Emotions
Traces the history of the concepts of civility and civilization in nineteenth-century Europe and Asia and explores why and how emotions were an asset in civilizing peoples and societies - their control and management, but also their creation and their ascription to different societies and social groups.
From the Colonial to the Postcolonial
This volume addresses some of the key issues marking the process of decolonization in India and Pakistan. It looks at decolonization as a long-term process and highlights some of the historical complications involved in nations born under the aegis of the colonial rule evolving into postcolonial polities. It concentrates on particular aspects of the social and political processes involved in the transition from the colonial order to postcolonial regimes. The contributors include a range of distinguished scholars from North America, the United Kingdom, South Asia, and Australia. They approach the issue of decolonization in different but mutually reinforcing ways, through constitutionalism, sports, regionalisms, housing, gender, minority issues, mass-politics, and class formation, The contributors include Dipesh Chakrabarty, David Washbrook, Barbara Metcalf, Ian Copland, Gynaesh Kudaisya, and Anumpama Rao.
Civilizing Missions in Colonial and Postcolonial South Asia
'Civilizing Missions in Colonial and Postcolonial South Asia' offers a series of analyses that highlights the complexities of British and Indian civilizing missions in original ways and through various historiographical approaches. The book applies the concept of the civilizing mission to a number of issues in the colonial and postcolonial eras in South Asia: economic development, state-building, pacification, nationalism, cultural improvement, gender and generational relations, caste and untouchability, religion and missionaries, class relations, urbanization, NGOs, and civil society.
Producing Bollywood
These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991.
