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Balboa Films
From 1913 through 1918, Long Beach, California, was home to the largest independent film company in the world, the largely forgotten Balboa Studio. Founder Herbert M. Horkheimer bought the studio from Edison Company in 1913, and by 1915 Balboa's expenses exceeded $2,500 a day and its output hit 15,500 feet of film per week. Bert Bracken, Fatty Arbuckle, Henry King, Baby Marie Osborne, Thomas Ince, and William Desmond Taylor began their careers with the studio. In 1918, Horkheimer stunned the industry by declaring bankruptcy, shutting down Balboa, and walking away from moviemaking. The closing of the studio effectively ended Long Beach's runs as a major film location and left many wondering about the true reasons behind Horkheimer's decision. Most of Balboa's films have been lost, and little has until now been written about the studio. This book first explores the history of filmmaking in Long Beach and then fully details the story of Balboa. The extensive filmography includes length, copyright date when available, cast and credits, and a plot summary.
Joseph W. Young, Jr., and the City Beautiful
Joseph W. Young, Jr., was acknowledged as one of the five or six major city builders in boomtime Florida. From practically nothing in 1920 he created Hollywood By-the-Sea with an elegant Beaux Arts plan of circles and lakes, calling it a "City Beautiful," an ideal first propounded by Daniel Burnham of Chicago. Young had a rare talent for publicity and a knack for making and spending millions--supported by an immense personal charm that is still remembered decades after his death. This first full biography of Young covers his start as city builder in turn-of-the-century California where new cities blossomed and were ballyhooed, his move to Indianapolis, home of Carl Fisher who developed Miami Beach, his creation of Hollywood and Port Everglades, and his move to his Adirondack resort, ending with his dreams to expand Hollywood, fulfilled after his early death.
The Classical Hollywood Reader
First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
Sanctuary Cinema
Sanctuary Cinema provides the first history of the origins of the Christian film industry. Focusing on the early days of film during the silent era, it traces the ways in which the Church came to adopt film making as a way of conveying the Christian message to adherents. Surprisingly, rather than separating themselves from Hollywood or the American entertainment culture, early Christian film makers embraced Hollywood cinematic techniques and often populated their films with attractive actors and actresses. But they communicated their sectarian message effectively to believers, and helped to shape subsequent understandings of the Gospel message, which had historically been almost exclusively verbal, not communicated through visual media. -- Publisher's Description.
Amador City: A Haunting History
Amador City is a small Gold Rush era town in Amador County, which has more dead than living. The .3 square mile hamlet of just 201 “living” souls is the smallest incorporated city in California. It was once the center of a thriving mining industry, with over 1000 residents. The town has seen its population ebb and flow, along with mining. It has experienced several fires, and frequent deaths. It is a city with much history lying buried along with many who once called it home. It is a city where fortunes were made. There was Alvinza Hayward, who consulted mediums before staking a mining claim, and well-known individuals such as Leland Stanford and George Hearst. However, there were many w...
The Pacific Squab and Poultry Farm
In 1889, during the Great Depression of British Agriculture, the Harnett farm in Kent, England, was suffering financially. With Britain’s refusal to tax grain imports their farm could no longer support a family of eleven children. Ernest and Julia Harnett had a hard decision to make — either leave their beloved England or give up six of their youngest children. It was something they would not do. A letter from a friend who had moved to Southern California wrote of an alcohol free, religious community, with good farm land. They made up their minds. They would move to the American Colony — created a few years earlier by a fellow Englishman, William Willmore. There they would create a new...
Animal Tales (Some a Little Fishy)
Learn about: • An opossum who enjoyed X-rated movies. • A canine thief with an appetite for eggs. • A man who lost out on $38,000 in valuable pearls because he liked his oysters cooked instead of raw. • Strange events and creatures off the California coast. • A recipe for Pius IV’s favorite dish — frog livers. • A statewide event where California school children were asked to kill as many ground squirrels as possible, verifying their kills by bringing the tails to school! These are but a few of the stories largely centered around Long Beach, California, which have appeared over the past 130 years. Most have remained forgotten, until now. How much is true and how much “tongue in cheek” I will leave up to the reader to decide. In any case, they are they are fun, humorous and sure to entertain.
Slapstick Comedy
From Chaplin's tramp to the Bathing Beauties slapstick comedy supplied many of the most enduring icons of American cinema in the silent era. This collection of fourteen essays by film scholars challenges longstanding critical dogma and offers new conceptual frameworks for thinking about silent comedy's place in film history and American culture.
Empire of Dreams
BEST KNOWN AS THE DIRECTOR of such spectacular films as The Ten Commandments and King of Kings, Cecil B. DeMille lived a life as epic as any of his cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange...
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
