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Figures of the Imagination
This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance...
Figures of the Imagination
This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Roger Hansford explores relationships between music produced in the early 1800s for domestic consumption and the fictional genre of romance, offering a new view of romanticism in British print culture. He surveys romance...
Brick Bonds: A Life in Britain's Building Trade, 1902-1987
Despite recent academic interest in oral history and working-class writing, few other autobiographies reveal daily life for early twentieth-century itinerant gasworks bricklayers, or 'retort-setters'. Charles Hansford recounts constructing his own home single-handedly aged twenty-one, describes economic privations and poor weather conditions. 'Brick Bonds' documents his relationships with fellow workers and specific building techniques they used (a bond is a brick-laying pattern). His personal memories of enemy action in wartime, working-class social and leisure pursuits in London, the 1924 National Building Strike, and notable ships like Titanic and Bismarck are set into historical context. Hansford reveals an evolving class awareness and trade union activism; a declared Socialist, he readily left building sites in protest, even into the 1970s. His career encompassed Fawley Refinery, Royal Netley War Hospital, British Overseas Airways Company flying-boat bases, and Harrods store in London.
Fawley's Front Line
Home to the UK's largest refinery, Fawley is among the most at-risk parts of the country for petrochemical fires. Its fire service is vital to the area's infrastructure and its firefighters must always be prepared. For the first time, the story of this fire station and of the Waterside's private and military fire brigades is told. From establishment in the early twentieth century, through the development of the fire engine and firefighting techniques, to combating modern-day terrorist threats, Fawley's firefighters have witnessed it all. This book looks at how the station and its crew, now reduced from full- to part-time staffing, have evolved in the face of new dangers and challenges.
Made in Scotland
Made in Scotland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, politics, culture, and musicology of twentieth- and twenty-first-century popular music in Scotland. The volume consists of essays by local experts and leading scholars in Scottish music and culture, and covers the major figures, styles, and social contexts of popular music in Scotland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book includes a general introduction to Scottish popular music, followed by essays organized into three thematic sections: Histories, Politics and Policies, and Futures a...
Manual of the Public Examinations Board
The Manuals include information on syllabus, regulations, copies of examination papers and notes by examiners. They also include pass lists.
Follow Your Bliss
Dr. Donald Hodder has woven tales of joy and sorrow, humour and fulfillment into this compelling memoir. He practised family medicine for over forty-five years, all of it in his native Newfoundland. During his career, he kept many notebooks detailing his experiences. These became the foundation for this book. In studied prose and lilting verse, with integrity and compassion, he interlaces autobiographical material with social commentary on people and happenings in his life. He witnessed a broad spectrum of human conditions: the mundane, the miraculous, the physical, the psychological, and the social. He feels immensely honoured to have shared in the most intimate aspects of daily life with thousands of patients for so long. He is, at times, absolutely serious, skillfully witty, and hilariously funny. You are invited to sit at his table of memories and be entertained, enlightened, and enriched. Enjoy!
Sound, Sin, and Conversion in Victorian England
The plight of the fallen woman is one of the salient themes of nineteenth-century art and literature; indeed, the ubiquity of the trope galvanized the Victorian conscience and acted as a spur to social reform. In some notable examples, Julia Grella O’Connell argues, the iconography of the Victorian fallen woman was associated with music, reviving an ancient tradition conflating the practice of music with sin and the abandonment of music with holiness. The prominence of music symbolism in the socially-committed, quasi-religious paintings of the Pre-Raphaelites and their circle, and in the Catholic-Wagnerian novels of George Moore, gives evidence of the survival of a pictorial language linking music with sin and conversion, and shows, even more remarkably, that this language translated fairly easily into the cultural lexicon of Victorian Britain. Drawing upon music iconography, art history, patristic theology, and sensory theory, Grella O’Connell investigates female fallenness and its implications against the backdrop of the social and religious turbulence of the mid-nineteenth century.
Music and World-Building in the Colonial City
Music and World-Building in the Colonial City investigates how nineteenth-century migrants to Australia used music as a resource for world-building, focusing on coalmining regions of New South Wales. It explores how music-making helped British migrants to create communities in unfamiliar country, often with little to no infrastructure. Its key themes are as follows: people’s relationships to music within specific contexts; how music-making intersects with class, gender and ethnic background; identity through music. Situated within a wider discourse on music and identity, music and well-being and music and emotions, this is an authoritative study of historical communities and their relationship with music. It will be of particular interest to scholars and researchers working in the fields of sociomusicology, colonial studies and cultural studies.
