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Conversations with Roger Sessions
Sessions also touches on the world of professional music, and on his relations with such luminaries as Arnold Schoenberg, Ernest Bloch, Otto Klemperer, Nadia Boulanger, and Igor Stravinsky. He proves himself here to be a superb raconteur whose charming anecdotes consistently surprise and instruct. Sessions tells us, for instance, how his misreading of a poem by James Joyce led to a piece for solo soprano--and an embarrassing encounter with the great writer's daughter-in-law. He also comments wryly on the critical reception of his more controversial works; in another instance he describes an unlikely fistfight between Sarah Caldwell's mother and an unsympathetic concertgoer at the world premiere of Montezuma.
Roger Sessions and His Music
Recognized as the primary American symphonist of the 20th century, Roger Sessions (1896-1985) was one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Sessions was awarded two Pulitzer prizes, election to the American Academy of Arts and Letters, winning the Brandeis Creative Arts Award, the Gold Medal of the American Academy, and a MacDowell Medal, in addition to 14 honorary doctorates. This book brings together considerable previously unpublished archival material, such as letters, lectures, interviews, and articles, to shed light on the life and music of this major American composer. The author, a teaching colleague of Sessions at Juilliard and the leading scholar on his music, has written a complete biography charting five touchstone areas through Sessions's eighty-eight years: music, religion, politics, money, and sexuality.
Roger Sessions
For more than half of his long life, composer Roger Sessions was a commanding figure on the American musical scene. He enjoyed the solid respect of his peers, and as a teacher of a generation of composers and author of compelling writings on his craft, his influence on musical thought remains profound. Yet, even in his lifetime, his music endured vastly disrespectful neglect. He was a "difficult" composer. Sessions was well aware of it. In a New York Times article, he wrote, "I have sometimes been told that my music is 'difficult' for the listener. There are those who consider this as praise, those who consider it a reproach. For my part I regard it as, in itself, neither one or the other......
Roger Sessions
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Roger Sessions
First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
The Musical Experience of Composer, Performer, Listener
Six lectures delivered at the Julliard School of Music, 1949.
Roger Sessions on Music
Over the past fifty years Roger Sessions has developed, in articles, lectures, and addresses, various themes that reflect the stages of his own musical and intellectual growth. These themes form the basis of the present collection of essays. Many of the essays deal with specific problems that musicians, especially composers, have faced during the past five decades: problems related to new musical styles and techniques, to the position of composers in society, to their responsibilities as teachers, to their role during the period of the world wars, to the mutual reactions of composer and audience, and to the basic questions of musical form and expression. The collection also includes a set of...
Harmonic Practice
On traditional harmony, with over 800 exercises.
The Correspondence of Roger Sessions
And Copland in the late 1920s, when they decided to organize a series of concerts of new music in New York City. The volume also contains previously unpublished letters between Sessions and Thomas Mann on Mann's Dr. Faustus and letters from Ernst Krenek that vividly describe his escape from the Nazis and adjustment to life in America. Until now, many details about Sessions's life and work have been elusive. Here Sessions discusses the range of musical issues that touched.
Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.
