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An examination of how nonprofessional archivists, especially media fans, practice cultural preservation on the Internet and how “digital cultural memory” differs radically from print-era archiving. The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital p...
Human communication is a constant, continuous, and dynamic phenomenon. You cannot not-communicate nor can you un-communicate. For an individual entity, there is only ONE communication. Not multiple, not varieties, only one. That one communication is the culmination of all that has been communicated by the entity until the "now" in time. You cannot go back and un-communicate something. You can only begin from the "now" to create the intended outcome. That outcome is always a negotiation with the receiver/audience/community to cultivate an agreed understanding. For a communication professional, understanding this fact is essential. No matter where you work, someone has been communicating something before you began. You cannot un-communicate it. You cannot create a new beginning; but you can begin now to create a new outcome. Research continues into the changes in communication wrought by the Internet and public expectations that are experiencing mercurial change. As best practices are now being developed, the Media Relations Handbook 2e can give you guidance and ideas that will spark your innovation.
Next to the AP Style Guide, the Media Relations Handbook is arguably the most valuable reference available for any public affairs officer, press secretary or Beltway PR professional. The Media Relations Handbook is required reading for Capitol Hill press secretaries, federal agency public affairs officers, political campaign spin doctors, nonprofit PR professionals, lobbyists or anyone involved in garnering media coverage. In this Handbook, Bradford Fitch explores theory and practice, discussing general principles and illustrating each point with real-life examples. This book is for those who are seeking the most effective means to communicate on behalf of a government agency, a national ass...
With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In t...
Rogue States: The Rule of Force in the World Affairs.
E W Farnsworth's DarkFire at the Edge of Time brings together twenty-five visionary science fiction stories focusing on events leading up to and following the launch of the Spaceship Arcturus, destined to an epic voyage through space to the edge of the universe and back again. Avatars and AIs mature by programming themselves and acquiring human characteristics as they discover romance, sex, joy and pain. While alluding to works by Arthur C Clarke, Isaac Asimov, Norbert Wiener, H P Lovecraft and Alan Turing, Farnsworth's brainy stories break new ground. Amongst the twenty-five stories, "The Joys of Rayovision" explores early experimentation in teleportation; "Shell Game" features using DNA for encoding messages in outer space; and numerous other stories postulate the practicality of a neutrino communicator. The reader can read sequentially or delve into this collection in any direction. The variety of perspectives caters for every mood, inclination and intellectual capacity.
There’s something so sexy about a beach—and the men who hang around it. Whether it’s on the ocean, a lake, or a New Zealand river, beaches mean water and sunshine and handsome guys showing off what God or genetics gave them. Pick any beach around the world, and you’re bound to find excellent eye candy. These gorgeous guys are the stuff of gay fantasy—from sleek swimmers to muscular surfers and boarders to sun-worshipping naturists. Their skins are toned golden brown, and their bodies shimmer with droplets of water. The stories in this collection showcase those Beach Bums. From a Massachusetts winter to a hot Oregon summer, tropical St. Maarten to Venice’s Muscle Beach, sweetheart...
This book reveals the life of R. Clay Crawford, his dreams, his schemes, his successes and his failures, as he launched himself into many of the most turbulent episodes of 19th century United States history. Like everyone, he was born with a family history, not just genetic but also cultural determinants; this book reveals the influences on his behavior inherited from his father and his grandfathers. He likewise passed on to his children a model, not just genetic but cultural. Even so, Clay Crawford's story is not just a family affair. He was a "self-made man" living in an age when such was thought to be a national asset--and thus stands out as a warning that the worship of the "self-made man" may produce more rogues than Rockefellers.
In Tom Stoppard’s Plays: Patterns of Plenitude and Parsimony Nigel Purse assesses the complete canon of Tom Stoppard’s works on a thematic basis. He explains that, amongst the plenitude of chaotic comedy, wordplay and intellectual ping-pong of Stoppard’s plays, the principle of parsimony that is Occam’s razor lies at the heart of his works. He identifies key patterns in theme – ethics and duality - and method – Stoppard’s stage debates and his dramatic vehicles - as well as in theatrical devices. Quoting extensively from all Stoppard’s published works, many of his interviews and also unpublished material Nigel Purse arrives at a comprehensive and unique appraisal of Stoppard’s plays.
A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.