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Politics, Culture, and Sociability in the Basque Nationalist Party
Until now, social scientists studying Spanish politics have focused on party systems, regime transition, and election analysis, and anthropologists studying Spain have largely neglected its political parties. This book is a pathbreaking work of political anthropology and an ethnographic study of the Basque Nationalist Party (PNV). Author Roland Vazquez studies Basque nationalism as not merely a political phenomenon but as a cultural and social one as well. He examines the forces that have shaped the Basque political panorama, the nature of Basque political campaigns, Basque cultural and social movements both inside and outside the explicitly partisan milieu, and the role of other parties in ...
Music at Michigan
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National Museum of Dance and Hall of Fame
Explores the rich history, collections, and significance of the only museum in the United States dedicated solely to the art form of dance. The only museum in the United States dedicated entirely to the art form of dance, the National Museum of Dance and Hall of Fame opened in June 1987, after a short preview season the summer before. This unique and special place celebrates its thirtieth anniversary in 2017. To commemorate this milestone, Lisa Schlansker Kolosek has created a rich pictorial history tracing not only the museums remarkable evolution but the relevance of the museum to the city of Saratoga Springs, New York. Kolosek tells the story of the museums origins, from its notable f...
Cadence
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Continuity and Change in Political Culture
Ten leading scholars and practitioners of politics, political science, anthropology, Israel studies, and Middle East affairs address the theme of continuity and change in political culture as a tribute to Professor Myron (Mike) J. Aronoff whose work on political culture has built conceptual and methodological bridges between political science and anthropology. Topics include the legitimacy of the two-state solution, identity and memory, denationalization, the role of trust in peace negotiations, democracy, majority-minority relations, inclusion and exclusion, Biblical and national narratives, art in public space, and avant-garde theater. Countries covered include Israel, Palestine, the Unite...
Julius Bürger
Viennese composer Julius Bürger (also named Burger (1897-1995)) intersected with many important figures of 20th century western classical music. Despite success in some of the world's leading opera and broadcasting houses, Burger's true path as a composer was forever altered by the National Socialism. Burger studied with Franz Schreker in Vienna and Berlin. On Bruno Walter's recommendation, Burger later joined Artur Bodanzky as assistant at the Metropolitan Opera in New York. In 1929 he became Otto Klemperer's assistant at Berlin's Kroll Opera, returning to Vienna after Hitler's appointment as Chancellor in 1933. En route to Vienna from London in 1938, Burger and his wife foresaw what lay in store for Austria and detrained in Paris, abandoning their luggage. In 1939 Burger relocated to America and in 1949 he rejoined the staff at the Metropolitan Opera, starting a close working friendship with Dimitri Mitropoulos. His mother and four of his brothers were murdered in the Holocaust. A fifth brother's fate is still unknown.
Buskers
Frustrated by the indifference of the music industry and the stacks of homemade CDs gathering dust in their closets, brothers Heth and Jed Weinstein made the radical decision to bring their music directly to the masses. They began playing on street corners, in subway stations, and wherever else they could connect with a live audience. To their surprise, far from this being the terminal stop of a dead-end career, busking turned out to be just the beginning as crowds of stressed-out commuters gathered around, cheering them on, subscribing to their mailing lists, and actually buying some of those stockpiled CDs—40,000 and counting. In Buskers, Heth and Jed recount their turbulent, drug- and c...
Re-Visioning Terrorism
Re-Visioning Terrorism: A Humanistic Perspective is an interdisciplinary collection of essays that aims to offer a plurality of visions on terrorism, expanding its meaning across time and space and raising new questions that explore its multifaceted occurrences. The different ideological, philosophical, and cultural perspectives emerging from the essays and the variety of humanistic disciplines involved intend to provide a complex and even contradictory picture that emphasizes the fact that there cannot be a univocal conception and response to terrorism, in either the practical or the intellectual domain. The editors borrow the concept of rack focus response from cinema to create an innovati...
