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Rolf Stein's Tibetica Antiqua
This book is the first collection and translation in English of Rolf Stein's groundbreaking series of articles on Tibetan history, Tibetica antiqua. Drawing on the earliest available sources, Stein discusses the Tibetan transition to Buddhism, a transition influenced by both Indian and Chinese culture and cultural competition.
Rolf Stein's Tibetica Antiqua
Tibetica antiqua represents the seminal work on Tibetan religious history by one of the foremost Tibetologists of the twentieth century. Herein, Stein discusses the cultural and religious interactions among Tibet, India, and China which resulted in what we now consider "Tibetan Buddhism" from the point of view of our earliest sources, the Dunhuang manuscripts. Stein first discusses the basic tool of religious language, and the extent to which translations from Chinese, often apocryphal, scriptures competed with translations from Sanskrit. Stein also analyzes evidence for the introduction of Buddhism to Tibet, as well as what a pre-Buddhist religion may have looked like, as distinct from modern Bon. Here, these groundbreaking articles are for the first time in the English language. They have been substantially updated, and supplemented with additional material from Stein's lectures at the Collège de France.
The Many Faces of King Gesar
The Tibetan Gesar epic, considered “the world’s longest poem,” has been the object of countless retellings, translations, and academic studies in the two centuries since it was first introduced to European readers. In The Many Faces of Ling Gesar, its many aspects—historical, cultural, and literary—are surveyed for the first time in a single volume in English, addressed to both general readers and specialists. The original scholarship presented here, by international experts in Tibetan Studies, honours the contributions of Rolf A. Stein (1911-1999), whose studies of the Tibetan epic are the enduring standard in this field. With a foreword by Jean-Noël Robert, Collège de France. Contributors are: Anne-Marie Blondeau, Chopa Dondrup, Estelle Dryland, Solomon George FitzHerbert, Gregory Forgues, Frances Garrett, Frantz Grenet, Lama Jabb, Matthew W. King, Norbu Wangdan, Geoffrey Samuel, Siddiq Wahid, Wang Guoming, Yang Enhong.
The theatre of Tibet
he theatrical culture of Tibet is probably the last to remain virtually unknown to the outside world, and to the West in particular. As well as describing the current situation of studies on Tibetan theatre, the current volume also provides an essay on imagination and how it is concretely manifested by the Tibetan people and their actors. Recent decades have seen radical change for Tibetan theatre, ache lhamo, now performed by a diaspora for whom a declining artistic and technical change derives from an uncertain politics concerning secular and popular culture, as well as the ongoing cultural genocide caused by China’s subjection of Tibet.
Tibetan Civilization
An overall view of the Tibetan civilization, both ancient and modern Tibet. This book relates developments in Tibet to those in the rest of Asia.
The Bon Religion of Tibet
The Bon religion claims to be the original and authentic religion of the Tibetan people, and to have been firmly established in the Land of Snows long before Buddhism was introduced in the seventh century AD. Although its adherents were gradually reduced to a minority, Bon has nevertheless continued to flourish in many areas up to the present day in Tibet, especially in the eastern and north-eastern regions where a reconstruction and renaissance is taking place, as well as within the Bon community in exile in India. The iconography of the Bon religion is presented through a series of thangkas, miniatures and bronzes from public and private collections in the West, as well as from communities within Tibet and in exile. With a few exceptions they are hitherto unpublished and date from the late fourteenth to mid-twentieth centuries. The peaceful, tutelary, protector and local deities as well as the Bon siddhas, lamas and dakinis are identified and fully described by means of excerpts from ritual or biographical texts which are translated here for the first time.
The Classical Tibetan Language
Among Asian languages, Tibetan is second only to Chinese in the depth of its historical record, with texts dating back as far as the eighth and ninth centuries, written in an alphabetic script that preserves the contemporaneous phonological features of the language. The Classical Tibetan Language is the first comprehensive description of the Tibetan language and is distinctive in that it treats the classical Tibetan language on its own terms rather than by means of descriptive categories appropriate to other languages, as has traditionally been the case. Beyer presents the language as a medium of literary expression with great range, power, subtlety, and humor, not as an abstract object. He also deals comprehensively with a wide variety of linguistic phenomena as they are actually encountered in the classical texts, with numerous examples of idioms, common locutions, translation devices, neologisms, and dialectal variations.
The aristocratic families in Tibetan history, 1900-1951
The Aristocratic Families in Tibetan HistoryThis book was written by an expert of Tibetan studies, introducing the life of Tibetan aristocratic families in old Tibet between 1900 and 1951. It is written in easy words with scores of precious historical photos, providing important data for the research into social systems in old Tibet.
