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Before the Empire
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Context matters
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From Memory to Marble
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa’s past. Conceptualising the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provi...
Philostratus's Heroikos
This multidimensional collection of essays explores the interrelation of religion, cultural identity, politics, literature, myth, and memory during the Roman Empire by focusing on the cultural dynamics embedded in and surrounding Philostratus s Heroikos, an early third-century C.E. dialogue about Homer and the heroes of the Trojan War. The essays focus on ritual and literary dimensions of hero cult; cultural and community identity reflected in the Heroikos and in early Christianity; and the cultural, literary, and political turn toward heroes in the negotiation of difference, particularly with those outside the Roman Empire. Contributors to this volume include classicists, archaeologists, ancient historians, and scholars of early Christianity: Ellen Bradshaw Aitken, Susan E. Alcock, Hans Dieter Betz, Alain Blomart, Walter Burkert, Casey Dué, Simone Follet, Sidney H. Griffith, Jackson P. Hershbell, Christopher Jones, Jennifer K. Berenson Maclean, Francesca Mestre, Gregory Nagy, Corinne Ondine Pache, Jeffrey Rusten, M. Rahim Shayegan, James C. Skedros, and Tim Whitmarsh.Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).
Universal Empire
The claim by certain rulers to universal empire has a long history stretching as far back as the Assyrian and Achaemenid Empires. This book traces its various manifestations in classical antiquity, the Islamic world, Asia and Central America as well as considering seventeenth- and eighteenth-century European discussions of international order. As such it is an exercise in comparative world history combining a multiplicity of approaches, from ancient history, to literary and philosophical studies, to the history of art and international relations and historical sociology. The notion of universal, imperial rule is presented as an elusive and much coveted prize among monarchs in history, around which developed forms of kingship and political culture. Different facets of the phenomenon are explored under three, broadly conceived, headings: symbolism, ceremony and diplomatic relations; universal or cosmopolitan literary high-cultures; and, finally, the inclination to present universal imperial rule as an expression of cosmic order.
Beyond the Nile
From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another’s work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt’s history, however...
World Order in Late Antiquity
The East Romans of Byzantium and the Sasanian Persians competed as geopolitical rivals for over four centuries between 224 to 628 AD. Through a series of intractable conflicts these two great empires would develop a dual hierarchy that sought to divide the known world between them. Despite competing claims to universal rule, mutual spheres of interest arose as both empires sought to create rules, norms, and standard practices of diplomatic behaviour to regulate their inter-imperial rivalry. Defined by contemporaries as the 'Two Eyes' of the Earth, this suzerain order aimed to hierarchically organize those considered as 'barbarians'. This period of late antiquity is rarely considered within the discipline of International Relations (IR) but, through an English School approach, Blachford examines the diverse suzerain order of late antiquity as 'barbarous' nomadic tribes challenged the hierarchical ambitions of two rival empires who both claimed a unique role in the maintenance of world order.
Roman Portraits in Context
The highest honour a Roman citizen could hope for was a portrait statue in the forum of his city. While the emperor and high senatorial officials were routinely awarded statues, strong competition existed among local benefactors to obtain this honour, which proclaimed and perpetuated the memory of the patron and his family for generations. There were many ways to earn a portrait statue but such local figures often had to wait until they had passed away before the public finally fulfilled their expectations. It is argued in this book that our understanding and contemplation of a Roman portrait statue is greatly enriched, when we consider its wider historical context, its original setting, the circumstances of its production and style, and its base which, in many cases, bore a text that contributed to the rhetorical power of the image.
