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The Virgin in Song
According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals. In The Virgin in Song, Thomas Arentzen explores the characterization of ...
Sweet Song
Young Romanos is devoted to Christ and His Mother and longs to be able to sing his praises to them. But when he tries, his voice croaks and the words won't come. The other cantors make fun of him--until one miraculous Christmas Eve. A picture book for children preschool age and up.
The Language of Romanos the Melodist
Das Byzantinische Archiv ist die Begleitreihe der Byzantinischen Zeitschrift und umfasst sowohl Monographien als auch Sammelbände. Es bietet ein Forum für Editionen, Kommentare sowie vertiefende Studien zu Einzelaspekten aus dem Bereich der Byzantinistik. Literatur, Geschichte und Kunstgeschichte einschließlich der damit verbundenen Neben- und Randdisziplinen sind gleichermaßen vertreten.
Liturgy and the Emotions in Byzantium
Emotions in Byzantium came to life through hymnody, which invited the faithful to step into a liturgical world of compunction.
A Companion to Byzantine Poetry
This book offers the first complete overview of Byzantine poetry from the 4th to the 15th century. By bringing together 22 scholars, it explores the development of poetic trends and the interaction between poetry and society throughout the Byzantine millennium; it addresses a wide range of issues concerning the writing and reading of poetry (such as style, language, metrics, function, and circulation); and it surveys a large number of texts by looking closely at their place within the social and cultural milieus of their authors. Overall, the volume aims to enhance our understanding of Byzantine poetry and shed light on its important place in Byzantine literary culture. Contributors are Eirini Afentoulidou, Gianfranco Agosti, Roderick Beaton, Floris Bernard, Carolina Cupane, Kristoffel Demoen, Ivan Drpic, Jürgen Fuchsbauer, Antonia Giannouli, Martin Hinterberger, Wolfram Hörandner, Elizabeth Jeffreys, Michael Jeffreys, Marc Lauxtermann, Ingela Nilsson, Emilie van Opstall, Andreas Rhoby, Kurt Smolak, Foteini Spingou, Maria Tomadaki, Ioannis Vassis, Nikos Zagklas.
Theology and Poetry in Early Byzantium
This book studies Romanos' lively and dramatic hymns, highlighting especially the relationship between theological themes and performative rhetoric.
On the Life of Christ
Hailed as "the greatest poet of the Greek middle ages," Saint Romanos the Melodist established the kontakion, or chanted sermon, as the poetic voice of the Byzantine Church. Archimandrite Ephrem Lash has selected kontakia by this sixth-century saint that retell and explore the significance of key events in the life of Jesus Christ. Through the rich interweaving of biblical imagery, we approach the Christian mystery in the company of Moses, Elijah, Isaiah, and other prophets and patriarchs as well as the people of the New Testament. Introductory essays by the translator and Professor Andrew Louth, Chair of Cultural History at Goldsmiths College, University of London, a foreword by His All-Holiness Bartholomew I the Ecumenical Patriarch of Constantinople, and eighteen original woodcuts round out this collection of classic verse. Sponsored by the International Sacred Literature Trust
Hymns, Homilies and Hermeneutics in Byzantium
"The essays in Hymns, Homilies and Hermeneutics explore the literature of Byzantine liturgical communities and provide a window into lived Christianity in this period. The liturgical performance of Christian hymns and sermons creatively engaged the faithful in biblical exegesis, invited them to experience theology in song, and shaped their identity. These sacred stories, affective scripts and salvific songs were the literature of a liturgical community - hymns and sermons were heard, and in some cases sung, by lay and monastic Christians throughout the life of Byzantium. In the field of Byzantine studies there is a growing appreciation of the importance of liturgical texts for understanding the many facets of Byzantine Christianity: we are in the midst of a liturgical turn. This book is a timely contribution to the emerging scholarship, illuminating the intersection between liturgical hymns, homiletics and hermeneutics"--
