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For seventeen-year-old Dominique, nothing sucks more than being forced to move across the country during senior year. Angry and feeling alone, she thinks things can't get any worse until her new neighbor pressures her into playing a psychic card game. When she touches the cards, she has a vision of a red desert where a malignant presence hints at past lives and threatens to kill her...again. Convinced she's gone crazy, Dominique struggles to forget the experience, but the vision follows her and intensifies with each repetition. Adding to her problems are two guys mysteriously connected to her fate. If Dominique is to put an end to the evil pursuing her, she must push through her fears, discover the secrets of her past, and set the ultimate survival plan into action. If she doesn't, she'll be dead. For real.
Camille Rose Garcia's world is a beautiful place. It is the ballroom of an Empire, a forest of aquamarine jewels, a place where cream-layered cakes, crystal castles and opiate abundance serve to sedate the masses. but as the telescope retracts, the glossy veneer of privelege falls away to reveal another reality. Machine guns and machetes decorate the landscape alongside exploding poppies. Deer and princesses hand suspensefully in a cloud of malaise and disbelief becomes the ether of the living.
To protect her future...she must change her past. Dominique survived the final attempt on her life, yet her victory is short-lived when she discovers her future child has been marked in her place. Determined to spare this innocent loved one from lifetimes of being hunted, she and her remaining allies embark on a mission to first life to alter destiny. But the destination is more dangerous than the journey. Dominique is confronted with a shocking reality she didn't expect. Alliances have been blurred, enemies are hidden, and no one can be trusted. Can Dominique remain true to herself while facing her ultimate enemy? Or will she lose everyone she's ever cared about? The gut-wrenching Final Life Series concludes with heart-stopping action in First Life! Experience the series in its intended order: Final Life Final Stand Final Death First Life "As a conclusion to the series, this novel hits it out of the park..." InD'Tale Magazine
Young Alex Winchester woke up in a grey metal hospital bed surrounded by the peering eyes of strange malformed creatures. A giant oblong pink and blue pill with human legs was fiddling with an IV bag above his head, and to his left a trio of mismatched prosthetic legs were attached to three truncated appendages of a smiling turquoise octopus. However well your best dentist visit went, it didn't go as well as the visit New York Times bestselling illustrator Camille Rose Garcia had several years ago. The result is this illustrated fever-dream of a book that is equal parts William Burroughs and Walt Disney. In fact, WIRED magazine declared of her reimagining of the Brothers Grimm story that "Walt Disney would likely turn over in his cryogenic vault if he saw [her] gorgeously skewed portraits of Snow White and her angry dwarves."
New work chronicling the prolific and life-changing time period of 2007-2011, when Garcia fled LA and moved to a cabin in the Northern California woods. The natural world inspires this work: her themes are disenchantment with modernity and the problems of becoming too removed from the natural world. Her layered, broken narrative paintings of wasteland fairy tales are influenced by William Burroughs' cut-up writings and surrealist film, as well as vintage Disney and Fleischer cartoons, acting as critical commentaries on the failure. This work is from shows in New York, Berlin, and Los Angeles, Escape to Darlingtonia (2007) The Grand Illusion (Berlin, 2008) Ambien Somnambulants, (New York, 2008), The Hydra of Babylon, (LA, 2009), and Snow White and the Black Lagoon (LA, 2011)
All-new work from the artist/author of The Saddest Place on Earth. Garcia's seemingly light-hearted paintings and drawings of charming cartoon-like characters paradoxically actually depict dark tales of violence, corruption and greed. Camille Rose Garcia's paintings of creepy cartoon children living in wasteland fairy tales are critical commentaries on the failures of capitalist utopias. Her influences include Phillip K. Dick, William Burroughs, Henry Darger, Walt Disney, The Clash and The Dead Kennedys.
A SINGLE SHEET OF PARCHMENT AND A SILVER KEYA SECRET PASSED DOWN THROUGH GENERATIONSA MYSTERY WAITING TO BE UNLOCKEDThe Rose Labyrinth
BEAUTY IN MY BONES is a collection of poetry and art that captures the depth of human existence. Discussing a range of topics from abuse, mental illness and love, this collection captures the beautiful duality of life. There may be some darkness sometimes but the author wants the reader to remember one important thing - there is a light. There is always a light.
When Letty Marquez discovers an elegant-but-decrepit Victorian mansion not far from school, she and her friends decide to keep it a secret and make it their own. As the Vietnam war escalates, the nation reels from protests, riots, and a drug epidemic. Letty and her friends pit themselves against forces that want the land beneath the house. At the same time, boys, friends, and permissive American culture constantly clash with Letty's Mexican upbringing and her Catholic religion. In A Very Fine House by Rose Molina, we experience the turmoil of an era where political awareness and social change engulf the lives of young people struggling to come of age. Interwoven in this difficult phase of life, culture clashes exacerbate the struggle in the search for an identity. The story sheds light on these complex issues with both humor and warmth.
Tammy Garcia, Form Without Boundaries, is a collection of images portraying Tammy’s extraordinary talent. She is regarded as the foremost Native American potter in the world today and in this magnificent coffeetable book provides glimpses of her sculpture and jewelry. Today, collectors buy her work by lottery as her pieces have become so sought after and her production for the public market is limited. The book tells of her heritage as a fourth generation Santa Clara pueblo potter and what inspires this beautiful, young, soft-spoken artisan. The narrative also introduces the layperson to pottery and the Native American culture. It is written by acknowledged experts in the field of Native American culture, art and collections. The book is a spectacular result of collaboration between an artist and those who are committed to preserving a culture through museums, collections and writing. This is the most dramatic, most beautiful,coffeetable book that will be available for the fall in 2003.