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Revolutionary Things
How objects associated with the American, French, and Haitian revolutions drew diverse people throughout the Atlantic world into debates over revolutionary ideals “By excavating the power of material objects and visual images to express the fervor and fear of the revolutionary era, Ashli White brings us closer to more fully embodied, more fully human, figures.”—Richard Rabinowitz, author of Objects of Love and Regret: A Brooklyn Story “In this important, innovative book, Ashli White moves nimbly between North America, Europe, and the Caribbean to capture the richness and complexity of material culture in the Age of Revolutions.”—Michael Kwass, Johns Hopkins University Historian A...
The Life & Legacy of Baroness Betty de Rothschild
Betty Rothschild grew up in Frankfurt nurtured in Jewish tradition and tutored in French, music, and drawing. At nineteen, she married her uncle James and moved to Paris where she presided over a salon famous for its opulence and the brilliance of its guests. Betty was a friend of Queen Marie-Amelie, the pupil of Chopin, and was painted by Ingres. She prepared her five children to assume leading roles in French society while simultaneously serving the Jewish community. She devoted her vast energy to philanthropic activities with a particular emphasis on the needs of young Jewish women.
Power and Desire
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Eighteenth-Century Indian Muraqqaʿs
Fourteen essays and one appendix discuss numerous eighteenth-century Indo-Persianate albums (muraqqaʿs) consisting of folios with paintings, calligraphic pieces, and elaborate decorative margins. These albums – now in Berlin, Baroda, London, Paris, and Manchester – were assembled for or collected by the Mughal nawabs of Awadh (Uttar Pradesh), local elites in Bengal and Bihar, as well as Europeans. The book not only presents hitherto rarely investigated material, but also provides general information and many new discoveries based on first-hand codicological study and historical research. It will significantly expand our knowledge of the production, collecting practices, and audiences of muraqqaʿs in eighteenth-century India.
Historic Rings
Each ring is illustrated with one or more black and white photograph, with 500 superb colour photos of the most important pieces. Major trends in ring design are outlined, and explanations and anecdotes are given on many of the individual rings. Supplementary images provide additional visual reference for the historical context. This deluxe book introduces the finest, most exhaustive private collection of finger rings in the world: the Hashimoto Collection. Organised chronologically by culture, it begins with the Ancient Mediterranean World, and progresses
Albany Institute of History and Art
Founded in 1791, the Albany Institute of History and Art is one of the nation's oldest cultural institutions. Today, it boasts outstanding collections largely focused on New York State's Upper Hudson Valley. These include Hudson River School landscape paintings, portraits by Ezra Ames and Charles Loring Elliott, sculpture by Erastus Dow Palmer, landscape and interior paintings by Walter Launt Palmer, and Albany –made silver and other crafts. This comprehensive overview of the Albany Institute of History and Art's American art and decorative-arts collections, presents color plates and essays on about 130 objects (of a total exceeding 20,000). Dating from the beginning of the seventeenth century to the 1990s, each object in this volume was chosen for its national significance, artistic merit, and relevance to the Institute's mission: collecting and interpreting the art, history, and culture of New York State's Upper Hudson Valley through four centuries.
Networks and Practices of Connoisseurship in the Global Eighteenth Century
Das 18. Jahrhundert war das Zeitalter der Kunstkenner: in und zugleich Ära eines globalen Bewusstseins, das aus dem sich beschleunigenden Handel und imperialen Eroberungen hervorging. Diese Publikation bringt die Kennerschaft, die sich als empirische Methode der Kunstanalyse in Europa und Asien etablierte, in einen Dialog mit der zunehmenden Auseinandersetzung mit unterschiedlichen Formen des Kunstschaffens, die im Verlauf des langen 18. Jahrhunderts durch lokale und globale Netzwerke ermöglicht wurde. Die Autor: innen des Buches nehmen Wechselbeziehungen zwischen Indien, Japan, China und Europa in den Blick und untersuchen, wie sich Begegnungen mit Kunstwerken aus verschiedenen Regionen der Welt auf die Praxis der Kunstkennerschaft in Asien und Europa auswirkten. Praktiken und Netzwerke in Indien, Japan und Europa des 18. Jahrhunderts Komplexität und Asymmetrien der Kunstkennerschaft in einer expandierenden Welt
Ingres and the Studio
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Jacques-Louis David
A landmark publication that sheds new light on the work of Jaques-Louis David, the most celebrated artist of his time
Avant-Garde Fascism
An investigation of the central role that theories of the visual arts and creativity played in the development of fascism in France between 1909 and 1939.
