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Her parents want a betrothal, but Mairead MacKenzie can’t get married without revealing her secret and no man will wed her once he knows. Plain in comparison to her siblings and extremely reserved, Mairead has been called “MacKenzie’s Mouse” since she was a child. No one knows the reason for her timidity and she would just as soon keep it that way. When her parents arrange a betrothal to Laird Tadhg Matheson she is horrified. She only sees one way to prevent an old secret from becoming a new scandal. Tadhg Matheson admires and respects the MacKenzies. While an alliance with them through marriage to Mairead would be in his clan’s best interest, he knows Laird MacKenzie seeks a closer alliance with another clan. When Tadhg learns of her terrible shyness and her youngest brother’s fears about her, Tadhg offers for her anyway. Secrets always have a way of revealing themselves. With Tadhg’s unconditional love, can Mairead find the strength and courage she needs to handle the consequences when they do?
A jilted bride, a sexy bartender who loves to come to the rescue, and the worst timing in history. Love is so inconvenient. Cooper One look at the jilted bride with fire in her eyes, and I’m hooked. Of course I’m going to help her get back on her feet. I have connections all over town. Soon I’ve found her a place to stay, a job, and friendly people to hang with, including me. The timing’s terrible for her, yet I can’t stay away. But how do I convince a woman with one foot out the door to stay and give us a chance? Rowan So here I am, a city girl, stuck in small town Clover Park, where the wedding was supposed to take place. After being dumped on my wedding day, I’ve vowed never to fall in love again no matter how sexy, sweet, and charming a man is. Men can’t be trusted. Even if Cooper Campbell stepped in exactly when I needed him. The more I get to know Cooper, the harder he is to resist. But I have to do it anyway because I know how it’ll end—disaster. The Happy Endings in Clover Park series The Kissing Part (Book 1) The Sexy Part (Book 2) The Sweet Part (Book 3) The Fun Part (Book 4) The Tempting Part (Book 5)
The Paradox Paradox is a dark sci-fi comedy set hundreds of years in the future. It's also set a fair few years in the past. Osheen Shupple has been working his entire life to resolve the paradox of a desperate audio message from years ago, one which holds a horrifying secret that will change the course of history. His plan: build a time machine and return to the source of the message. But he can’t do it alone. Fortunately, the universe has supplied a perfect team: an archaeologist serving twenty-eight life sentences, a veterinarian with an identity crisis and no original body parts, a cheating university student, and a famous but very, very dead starship captain. Together, they will be pr...
Frank, eye-opening writing by "arts in corrections" educators Poetry and prose by artists, writers, and activists who’ve taught workshops in U.S. criminal legal institutions, including acclaimed writers Ellen Bass, Joshua Bennett, Jill McDounough, E. Ethelbert Miller, Idra Novey, Joy Priest, Paisley Rekdal, Christopher Soto, and Michael Torres; the late arts in corrections pioneers Buzz Alexander and Judith Tannenbaum; and Guggenheim Award-winning choreographer Pat Graney. These educators demonstrate a diverse range of experiences. Among the questions they ask: Does our work support the continuation or deconstruction of a mass incarcerating society? What led me to teach in prison? How do I resist the “savior” or “helper” narrative? A book for anyone seeking to understand the prison industrial complex from a human perspective. All author royalties from this book will be donated to Dances for Solidarity, a project that brings arts opportunities to people incarcerated in solitary confinement.
"This book examines the intersection of state policy, cultural development, and commemoration during Canada's 1967 centennial celebrations. It explores four initiatives that were undertaken in Nova Scotia to mark this anniversary, and demonstrates one province's response to Lamontagne's appeal to stem Canada's cultural poverty. These initiaties also reflected those larger social, cultural, economic, and political transformations that took place in postwar Nova Scotia. Further they help us understand the province's experience within the broader context of the development of modern Canadian cultural and social history."--
The Shakespearean novel is undergoing a renaissance as the long prose narrative form becomes reinvigorated through new forms of media such as television, film and the internet. Shakespeare and the Modern Novel explores the history of the novel as a literary form, suggesting that the form can trace its strongest roots beyond the eighteenth-century work of Daniel Defoe, Henry Fielding and Samuel Richardson to Shakespeare’s plays. Within this collection, well-established Shakespeare critics demonstrate that the diversity and flexibility of interactions between Shakespeare and the modern novel are very much alive.
Laird Niall MacIan needs Lady Katherine Ruthven’s dowry to relieve his clan’s crushing debt but he has no intention of giving her his heart in the bargain. Niall MacIan, a Highland laird, desperately needs funds to save his impoverished clan. Lady Katherine Ruthven, a lowland heiress, is rumored to be “unmarriageable” and her uncle hopes to be granted her title and lands when the king sends her to a convent. King David II anxious to strengthen his alliances sees a solution that will give Ruthven the title he wants, and MacIan the money he needs. Laird MacIan will receive Lady Katherine’s hand along with her substantial dowry and her uncle will receive her lands and title. Lady Katherine must forfeit everything in exchange for a husband who does not want to be married and believes all women to be self-centered and deceitful. Can the lovely and gentle Katherine mend his heart and build a life with him or will he allow the treachery of others to destroy them?
Shakespeare in the Age of Mass Incarceration offers invaluable insight into how Shakespeare appears in prison. Bringing together theater artists, currently and formerly incarcerated actors, and college-in-prison educators and students, the collection describes powerful encounters in classrooms and rehearsal rooms as they explore the complexity of “prison Shakespeare.” In this innovative volume, instructors from college-in-prison programs across the United States recount students’ profound awe with Shakespeare, and their sometimes trenchant critiques. They also consider how their teaching has grown and changed as they learn from their incarcerated students. Theater artists, including fo...