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Trollope And The Law
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Thackeray's Cultural Frame of Reference
Thackeray's The Newcomes has been described as one of the richest of Victorian fictions. In Thackeray's Cultural Frame of Reference, R.D. McMaster unveils the magnitude of this richness.
Little Dorrit
The daughter of an imprisoned debtor suffers injustices of nineteenth-century English society.
Woman Behind the Painter
"Rosalie Hook's diaries of her doings at home and abroad with her painter husband provide a fascinating window on the Victorian art world. James Clarke Hook, a brilliant and successful painter whose "Hookscapes" uniquely acquainted the British public with the beauties of their shores, first took his young bride to Italy on a traveling studentship awarded by the Royal Academy; and Rosalie eagerly records her response to the art treasures around her, to the ceremonies surrounding the Pope at Easter, to Vesuvius in eruption, and then to the political upheavals of the Risorgimento. Her Italy Diary vividly documents a sympathetic English response to the volatile southern culture. The son of a bankrupt, James Clarke Hook (1819-1907) managed, at a time of unprecedented prestige for the artist, to paint himself into country-gentlemanhood.
Literature in the Marketplace
This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontës, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.
Dickens's Villains
This study argues that Dickens' villains embody the crucial fusion between the deviant and theatrical aspects of his writing.
The Creating Word
These papers from "The Creating Word" conference at the University of Alberta look directly at the challenges facing English teachers in the 1980s. Eleven notable educators address topics of rhetoric, deconstructionism, transactional analysis, creative writing, reader-response theories, language arts methodology, and computer technology.
Not Drowning But Waving
"Not Drowning but Waving...gestures both at the difficulties faced by feminists in the humanities in Canada and at the possibilities of hope, of new 'waves' of feminism." Twenty-two essays explore topics such as feminism in the liberal arts disciplines; the relationship of the liberal arts to the larger university; the costs and rewards for women in administration; the corporatization of university campuses; intergenerational and transcultural tensions within feminist communities; balancing personal life with professional aspirations; the relationship of feminism to cultural studies; women, social justice, and the liberal arts. Not Drowning But Waving is a welcome progress report on the variety of feminisms at work in academe and beyond. It provides crucial insights for university administrators, faculty, and literate non-specialists interested in the Arts and Humanities.
Tales of Bluebeard and His Wives from Late Antiquity to Postmodern Times
This project provides an in-depth study of narratives about Bluebeard and his wives, or narratives with identifiable Bluebeard motifs, and the intertextual and extratextual personal, political, literary, and sociocultural factors that have made the tale a particularly fertile ground for an author’s adaptation of the story. Whereas Charles Dickens, for example, expresses a sympathetic identification with Bluebeard, and a discernable strain of misogyny emerges in his recreation of the tale and recurrent allusions to it, his contemporary, William Makepeace Thackeray, uses the tale as a springboard for his critique of avarice, hypocrisy, pretension, and the subjugation of women in Victorian society.
