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Proust's Latin Americans
The first discussion of Proust’s circle of Latin American friends, lovers, and literary models. Part biography, part cultural history, part literary study, Rubén Gallo's book explores the presence of Latin America in Proust's life and work. The novelist lived in an era shaped by French colonial expansion into the Americas: just before his birth, Napoleon III installed Maximilian as emperor of Mexico, and during the 1890s France was shaken by the Panama Affair, a financial scandal linked to the construction of the canal in which thousands of French citizens lost their life savings. It was in the context of these tense Franco–Latin American relations that the novelist met the circle of fr...
Freud's Mexico
Freud's Mexican disciples, Mexican books, Mexican antiquities, and Mexican dreams.
Noir Urbanisms
Dystopic imagery has figured prominently in modern depictions of the urban landscape. The city is often portrayed as a terrifying world of darkness, crisis, and catastrophe. Noir Urbanisms traces the history of the modern city through its critical representations in art, cinema, print journalism, literature, sociology, and architecture. It focuses on visual forms of dystopic representation--because the history of the modern city is inseparable from the production and circulation of images--and examines their strengths and limits as urban criticism. Contributors explore dystopic images of the modern city in Germany, Mexico, Japan, India, South Africa, China, and the United States. Their topic...
And Let the Earth Tremble at Its Centers
Unable to resist either alcohol itself or the introspection it inspires, Professor Barrientos muddles his personal past with his historic surroundings, setting up an inevitable conclusion in the very center of Mexico City.
Cream 3
Now in its third edition, "Cream 3" offers an authoritative view on theontemporary art world for today and tomorrow. Ten international curators,enowned experts in contemporary art, have each chosen ten artists whom theyeel best exemplify what is happening in the contemporary art world today,nd also those who will be the stars of the future.;The 100 artists in "Cream" have risen to an international platform since 1997 or, in the opinion ofhe curators who have selected them, are about to do so. Each artist's works represented in two double-page spreads, accompanied by a short biographynd bibliography and a text by the curator who selected them.;The variety ofdeas and forms in contemporary art are presented in each artist's worklongside a brief text from the curator. This virtual exhibition of new arts preceded by a virtual conversation - an Internet discussion among the 10urators - each a noted name involved in the staging of new developments inrt.;New to this edition of "Cream" is each curator's selection of a "Source"rtist whom they feel has influenced or created the context for the new
Mexican Modernity
In Mexican Modernity, Ruben Gallo tells the story of a second Mexican Revolution, a battle fought on the front of cultural representation. The new revolutionaries were not rebels or outlaws but artists and writers; their weapons were cameras, typewriters, radios, and other technological artifacts, and their goal was not to topple a dictator but to dethrone nineteenth-century aesthetics. Gallo tells the story of this other revolution by focusing on five artifacts that left a deep mark on the literature and the arts of the 1920s and 1930s: the camera and its novel techniques for seeing the modern world; the typewriter and its mechanization of literary aesthetics; radio and poetic experiments w...
Superhumanity
A wide-ranging and challenging exploration of design and how it engages with the self The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes. Superhumanity seeks to explore and challenge our understanding of “design” by engaging with and departing from the concept of the “self.” This volume brings together more than fifty essays by leading scientists, artists, architects, designers, p...
Collectivism After Modernism
“Don't start an art collective until you read this book.” —Guerrilla Girls “Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda.Collectivism after Modernism convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel!” —Geert Lovink, Institute of Network Cultures, Amsterdam “This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged.” — Stephen F. Eisenman, author of The Abu Ghraib Effect “Collectivism after Modernism crucially help...
Private Utopia
This book is a scientific anthology and a text mosaic on the modern interior, its origins and its historic development. In recent years, science has increasingly focused on the subject of the interior; this book investigates the subject from different perspectives, the resumé of a symposium at the Sigmund Freud Museum in Vienna. Experts in the fields of architectural history, philosophy and psychology analyze the modern trend towards the individual design of interiors beyond fashion and good taste; the atelier and practice of Lucian and Sigmund Freud, the interiors in Proust's novels, Wittgenstein's house and Kiesler's Endless House.
Looking for Mexico
In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo K...
