You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book charts the entrance of women into public writing in the culturally vibrant world of late eighteenth-century Germany. It gives an absorbing account of the failed autobiography of Friderika Baldinger; the successful fiction, disguised self-narratives, and innovative monthly of Sophie La Roche; the praised poetry of Philippine Englehard; the controversial journalism and novels of Marianne Ehrmann; and the poems and prose about love and suicide by Sophie Albrecht. The book offers a feminist reassessment of the relationship of texts by these eighteenth-century German women writers to traditional literary history and traces how the women changed the cultural discourse of their day.
This highly original study provides a detailed analysis of Catherine the Great's celebrity avant la lettre and how gender, power, and scandal made it commercially successful. In 1762, when Catherine II overthrew her husband to seize the throne of the Russian Empire, her instant popular fame in regions of Europe far from her own domains fit the still new discourse of modern celebrity and soon helped shape it. Catherine the Great and Celebrity Culture in Eighteenth-Century Europe shows that over the next 35 years Catherine was part of a standard troika of celebrity-making agents-intriguing central figure, large-scale media, and an engaged public. Ruth P. Dawson reveals how writers, print maker...
"The book mounts a challenge to the notion of a clear distinction between public and private and attempts to account for the mobility of the many boundaries between the two. The first essay introduces some of those problematic boundaries in the light of the influential studies of Habermas, Koselleck, Aries and Chartier, who together have helped shape our understanding of the formation of the modern public and private spheres. A number of essays deal with the nature of public opinion in relation to state control and with the role of the intelligentsia. Some investigate non-political forms of sociability and the creation of various kinds of publics within the cultural realm. Others scrutinize gender roles and the validity of the accepted correspondence of male/female to public/private in the light of women's use of the printed word.
Bitter Healing is the first anthology of eighteenth- and early-nineteenth-century German women's writing in English translation. It goes far toward filling a major gap in literary history by recovering for a wide audience the works of women whoøwere as famous during their lifetime as Wieland, Schiller, and Goethe. Like those men, they wrote in the early modern period spanning the transition from early Enlightenment to Romanticism. Edited by Jeannine Blackwell and Susanne Zantop, this collection assembles little-known writings by fifteen authors from various social classes, religious backgrounds, and political persuasions. They include the forgotten pietist theologian Johanna Eleonore Peters...
Because of his misogyny and disdain for the body, Kant has been a target of much feminist criticism. Moreover, as the epitome of eighteenth-century Enlightenment philosophy, his thought has been a focal point for feminist debate over the Enlightenment legacy&—whether its conceptions of reason and progress offer tools for women's emancipation and empowerment or, rather, have contributed to the historical subordination of women in Western society. This volume presents radically divergent interpretations of Kant from feminist perspectives. Some essays see Kant as having contributed significantly to theories of rationality and autonomy in ways that can further feminist projects. Other essays a...
This volume examines the world of German women writers who emerged in the burgeoning literary marketplace of eighteenth-century Europe.
If all the world's a stage, playwrights can theoretically be seen as in control of the world they create; this book asks to what extent women dramatists manage to use the space of the drama to reflect the world that they experience."--BOOK JACKET.
This anthology represents the first sustained feminist examination of eighteenth-and nineteenth-century German women writers in English. These essays highlight the literature produced by German women in the period 1790-1810, framing the discussions with a comparative orientation. The book analyzes in culturally specific detail how these authors came to constitute the first generation of writing women in Germany at a time when Goethe set the standard for literary production. Each essay focuses on the ambivalence of the author(s) toward literary and social models. The authors treated include Rahel Varnhagen, Charlotte von Stein, Friederike Helene Unger, Bettine von Arnim, Caroline Schlegel-Schelling, Sophie Albrecht, Therese Huber, Sophie Mereau, Sophie von La Roche, Henriette Frolich, and Benedikte Naubert.
None
A valuable survey and reference resource It is hard to imagine a more needed and more useful literary reference work than this one, which gives students and readers quick access to the lives and work of a wide range of notable female writers from England and the Continent, from Aphra Behn to Emily Bronte, from Simone de Beauvoir to Isak Dinesen, from Bridget of Sweden to Hannah Arendt. Writers in more than 30 languages are included: French, Czech, Greek, Italian, Swedish, Spanish, German, Russian, Portuguese, Serbian, Catalan, Arabic, Hebrew, Dutch, Bulgarian, Croatian, Slovak, and more. Covers 1,500 years and all major genres Going back 15 centuries, the Encyclopedia covers the authors of n...