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The Divine Office in the Latin Middle Ages
The Divine Office, or the cycle of daily worship services other than the Mass, constitutes a body of liturgical texts and music for medieval studies. This is a collection of spiritual works that is central to the culture of the Middle Ages.
Women and the Civil Rights Movement, 1954-1965
Historians have long agreed that women—black and white—were instrumental in shaping the civil rights movement. Until recently, though, such claims have not been supported by easily accessed texts of speeches and addresses. With this first-of-its-kind anthology, Davis W. Houck and David E. Dixon present thirty-nine full-text addresses by women who spoke out while the struggle was at its most intense. Beginning with the Brown decision in 1954 and extending through the Voting Rights Act of 1965, the editors chronicle the unique and important rhetorical contributions made by such well-known activists as Ella Baker, Fannie Lou Hamer, Daisy Bates, Lillian Smith, Mamie Till-Mobley, Lorraine Han...
The Divine Office in the Latin Middle Ages
The Divine Office--the cycle of daily worship other than the Mass--is the richest source of liturgical texts and music from the Latin Middle Ages. However, its richness, the great diversity of its manuscripts, and its many variations from community to community have made it difficult to study, and it remains largely unexplored terrain. This volume is a practical guide to the Divine Office for students and scholars throughout the field of medieval studies. The book surveys the many questions related to the Office and presents the leading analytical tools and research methods now used in the field. Beginning with the Office in the early Middle Ages, the book covers manuscript sources and their...
Catalogue of the University of Michigan
Announcements for the following year included in some vols.
Secrets of the Threshold
10 lectures, Vienna, June 1-11, 1922 (CW 83) This challenging set of lectures attempts to lift the veil from modern social and spiritual problems as experienced in the contrasts between East and West. By ascribing to human thinking only a shadowy, subjective validity, modern science tries to invalidate the very faculty that gives us our human dignity. At the same time, however, this "unreality" of thought images makes possible an inner freedom that scientific doctrine tends to deny in principle. The need arises from these contradictions to extend the limits of ordinary scientific thinking to new investigative faculties. In part one, "Anthroposophy and the Sciences," Rudolf Steiner esplains t...
Four Mystery Dramas
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Clayton's Chronicles
More than anything, Beemer, one of Heaven’s chroniclers-in-training, wants to launch his career by writing the story of a famous human. When the ambitious trainee is assigned a lowly farmer’s son, Clayton Steiner, as his first project, disappointment instantly challenges his dream of stardom. Through his botched attempts to glorify his flawed subject (for which his exasperated editor frequently reprimands him), Chronicler Beemer learns how purposeful God’s love is for these flawed humans. As Clayton wrestles with the weight of perfectionism, intense moments of grief, and the sins of his father, Beemer realizes that Clayton’s life is more complex and captivating than he could have ima...
Chants, Hypertext, and Prosulas
"The liturgical chant that was sung in the churches of Southern Italy between the ninth and the thirteenth centuries reflects the multiculturalism of a territory in which Roman, Franks, Lombards, Byzantines, Normans, Jews, and Muslims were present at various titles and with different political roles. This book examines a specific genre, the prosulas that were composed to embellish and expand pre-existing liturgical chants of the liturgy of mass. Widespread in medieval Europe, prosulas were highly cultivated in southern Italy, especially by the nuns, monks, and clerics the city of Benevento. They shed light on the creativity of local cantors to provide new meanings to the liturgy in accordanc...
Studies in Gregorian Chant
Manuscript sources and the diversity of the musical traditions they preserve form the focus of this collection of eighteen essays on Gregorian Chant. Ruth Steiner investigates chants of various types: invitatory tones and antiphons, responsories and prosulae, Mass chants and chants of the Divine Office. In one of the studies here, she examines the collection of chants sung in the Divine Office at Cluny for the feast of St Benedict, telling how they were incorporated into a narrative describing the theft of the relics of St Benedict from the Abbey of Montecassino by monks from France. In another, she examines chants composed on texts taken from the parable of the Talents, linking their use to the ways in which ideals of stewardship have been presented in ancient and modern times. Numerous illustrations showing pages from chant manuscripts are included.
