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The Satellite Sex
Citing a lack of strong feminist voices in contemporary Canadian media, Freeman (journalism, Carleton U., Ottawa) was motivated to write this first book-length analysis of news media coverage of women's issues in Canada. The period 1966-1971 is seen as a critical period in Canadian feminist history, during which time the Canadian government appointed a federal inquiry into women's issues (the Royal Commission on the Status of Women). Freeman examines the relationship between the Commission and the media, the reporters' understandings of professional practice, and the ways in which they covered issues from the hearings and the Commission's Report. She argues that an understanding of media coverage of gender issues is the past may lead to thoughtful and effective coverage now and in the future. Accessible to a general audience. c. Book News Inc.
Canadian Women's Issues
Preface Acknowledgements 1. The Canadian Women's Movement Documents Marjorie Griffen Cohen 2. The Politics of the Body Documents Ruth Roach Pierson 3.The Mainstream Women's Movement and the Politics of Difference Documents Ruth Roach Pierson 4. Social Policy and Social Services Documents Marjorie Griffen Cohen 5. Women, Law, and the Justice System Documents Paula Bourne 6. Women, Culture, and Communications Philinda Masters Permissions Index
Return of the Answer Lady
Treasure trove of trivia
Transnational Cinema at the Borders
In tandem with a postnational imaginary which is nurtured by the ever-present promise of deterritorialized mobility and burgeoning migratory fluxes, walls and fences separating nation-states multiply. This is a burning issue: even though nation states at the centre of the global order increasingly present themselves as postnational, calls for tighter border security undermine utopian notions of both a borderless New Europe and the USA as the Promised Land. This collection investigates the urgent issue of borderscapes and the cinematic imaginary by bringing together a range of new approaches in the field of film and media studies, crossing over into sociology, migration studies and artistic research. The contributions focus on the interrelated motifs of borderscapes as they are represented and used in transnational cinematographies, from Palestine to Sweden, Spain, Finland, Italy, Iran, Iraq, France, the UK and US, and as constituting premises of cinematic production. The chapters in this book were originally published in the Transnational Cinemas journal.
