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One of the three great gods of Hinduism, Siva is a living god. The most sacred and most ancient book of India, The Rg Veda, evokes his presence in its hymns; Vedic myths, rituals, and even astronomy testify to his existence from the dawn of time. In a lively meditation on Siva--based on original Sanskrit texts, many translated here for the first time--Stella Kramrisch ponders the metaphysics, ontology, and myths of Siva from the Vedas and the Puranas. Who is Siva? Who is this god whose being comprises and transcends everything? From the dawn of creation, the Wild God, the Great Yogi, the sum of all opposites, has been guardian of the absolute. By retelling and interweaving the many myths that keep Siva alive in India today, Kramrisch reveals the paradoxes in Siva's nature and thus in the nature of consciousness itself.
Stella Kramrisch (1896-1993) was a pioneering interpreter of Indian art and its religious contexts. During her sixty-year career as a creative scholar, teacher, museum curator, and editor, she was been a dominant force in shaping European, American, and Asian notions of Indian culture. Exploring India's Sacred Art presents a selection of her influential essays, along with a biographical essay. The writings collected here emphasize the cultural and symbolic values of Indian art. The first section discusses the social and religious contexts of art. This is followed by essays on various forms of ritual art. The section entitled "The Subtle Body" is derived from her term for the form that underlies concrete shapes; it includes studies of literary and visual symbolism. Further essays concentrate on formal and technical aspects of temple structure and painting in the context of their symbolic meaning.
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The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art.
With 600 signed, alphabetically organized articles covering the entirety of folklore in South Asia, this new resource includes countries and regions, ethnic groups, religious concepts and practices, artistic genres, holidays and traditions, and many other concepts. A preface introduces the material, while a comprehensive index, cross-references, and black and white illustrations round out the work. The focus on south Asia includes Afghanistan, Bangladesh, India, Pakistan, and Sri Lanka, with short survey articles on Tibet, Bhutan, Sikkim, and various diaspora communities. This unique reference will be invaluable for collections serving students, scholars, and the general public.
This revision reflects recent developments and events in India. In particular, a new Part has been added entitled "The Meeting of East and West in India" which contains a new chapter on Mahatma Gandhi. There is also a new chapter on the position of women in Hinduism. In addition to the added chapters, the entire book has been rewritten with many new illustrations and maps. This book provides a comprehensive survey of the Hindu tradition, dealing with the history of Hinduism, the sacred writings of the Hindus, the Hindu worldview, and the specifics of the major branches of Hinduism—Vaisnavism, S aivism, and S aktism. It also focuses on the geographical ties of Hinduism with the land of Indi...
This in-depth study of the medieval oil lamps of Kerala and beyond considers these art objects as primary sources for a broader discussion on the ritual use of Hindu oil lamps, their related and unique cultural history, their motifs, style and subject matter. From an understudied region, many of the pieces presented are previously unpublished.