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New Approaches to Theodor Fontane
While Fontane scholarship has primarily focused on the "objective" portrayal of nineteenth-century German/Prussian culture and on the authenticity with which his work supposedly mirrors social reality, this collection investigates rhetorical and communicative patterns in his works that call this mirroring effect into question, emphasizing the difficulty - and ultimate impossibility - of "realist" representation."--BOOK JACKET.
Sara Levy's World
A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.
Schiller's Early Dramas
Given this situation, Professor Pugh's study of the plays' fortunes at the hands of the various schools of German literary scholarship from Schiller's day down to the present is useful both to literary scholars seeking orientation in the field and also to readers with a wider interest in German intellectual traditions."--BOOK JACKET.
Tragedy and Comedy
The first evaluation and critique of Hegel's theory of tragedy and comedy, this book also develops an original theory of both genres.
Encyclopedia of German Literature
Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.
Ambivalence Transcended
First comprehensive study in English of Germany's most prominent female author. Annette von Droste-Hülshoff (1798-1848) remains Germany's foremost female author. Perhaps best known for her novella Die Judenbuche and her ballads, Droste's narrative ability in prose or verse, and her gift for forging highly crafted, often poignant lyrical works, have brought her continuing and growing critical acclaim. Recent critical interest has brought her new recognition as a forerunner in the struggle of women to find their own literary voices. This volume is the first comprehensive study in English of Droste's works and authorial career. It combines a broad view of her literary and epistolary writings with close readings of individual works.
Beyond the World of Men
This collection opens a window into the largely unknown world of Czech women’s writing in the fin de siècle. With stories of women compelled to marry, women driven to suicide, of seduction, solitude, and of the breakup of a lesbian affair, a broad spectrum of women’s lives in that era is represented. The works draw in city and country, high society and more humble backgrounds, as well as including a couple of translations from German, reminding us that Czech literature is the common inheritance of all the writers who lived and worked in Bohemia and Moravia. Linked together by the injustice of patriarchal society, the sheer variety of stories here is a testament to the richness and depth of these women’s struggles, thought and experience.
At the Limit of the Obscene
As German-language literature turned in the mid-nineteenth century to the depiction of the profane, sensual world, a corresponding anxiety emerged about the terms of that depiction—with consequences not only for realist poetics but also for the conception of the material world itself. At the Limit of the Obscene examines the roots and repercussions of this anxiety in German realist and postrealist literature. Through analyses of works by Adalbert Stifter, Gustav Freytag, Theodor Fontane, Arno Holz, Gottfried Benn, and Franz Kafka, Erica Weitzman shows how German realism’s conflicted representations of the material world lead to an idea of the obscene as an excess of sensual appearance beyond human meaning: the obverse of the anthropocentric worldview that German realism both propagates and pushes to its crisis. At the Limit of the Obscene thus brings to light the troubled and troubling ontology underlying German realism, at the same time demonstrating how its works continue to shape our ideas about representability, alterity, and the relationship of human beings to the non-human well into the present day.
The Third Culture
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Contested Legacies
Fresh perspectives on the cultural history of the German Democratic Republic, exploring the nation's dialogue with the German past.
